Miriam Talavera

In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the "world memory" by UNESCO.

In 90's Habana, a nurse and a home builder, hopelessly in love, live happily married. A circumstantial fact of her past life will put their feelings to test and undermine the most elemental principles.

An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.

Matanzas, Cuba, 1913. Two young people who are in love communicate through letters written by penman. When the young man leaves town, to become a pilot, the girl discovers she is really in love with the one who wrote the letters.

Follows the Cuban leader into the home of a 93 year old acquaintance of Jose Marti, who is now blind and who takes the duration of the film to realize who his illustrious interviewer actually is.

A theater director and script-writer falls for a female worker from the Havana docks, but his machismo, social and working conflicts, and the Cuban woman's condition interfere with their relationship.

The short film El primer delegado (The First Delegate), made by a group of ICAIC directors, recounts the moments in which José Martí announced the foundations and statutes of the Cuban Revolutionary Party, the tireless struggle that the hero sustained throughout his life to obtain independence, his gifts as a political organizer, the final founding of the party, of which he was the first delegate, and his offer to General Máximo Gómez of the military leadership of the insurrection, the final founding of the party, of which he was the first delegate, and his offer to General Máximo Gómez of the military leadership of the insurrection, all narrated live by an announcer who entertains with his reading the work of the cigar makers in a tobacco factory, until the documentary reaches its final climax: the symbolic reconversion of the old Marti's party into a new one.

Based on the Nicaraguan poet Ernesto Cardenal's tribute to Norma Jeane Mortenson, these Cuban filmmakers link the actresses' overdose/suicide to patriarchy, exploitation, and many of the ills of the twentieth century.

Documentary about the relationship between filmmaker Glauber Rocha and Cuba.

The New Tango (El Nuevo Tango) was not shown in Argentina for a long time as it deals with the ascent of Argentinean president Hector Campora in May 1973, and features Cuban and Chilean presidents, Osvaldo Dorticos and Salvador Allende. A million people gathered on the Plaza de Mayo to acclaim the new President. One of Cámpora's first presidential actions was a granting of amnesty to political prisoners who where jailed during the dictatorship. On 28 May Argentina restored diplomatic relations with Cuba, which then received Argentine aid - such as food and industrial products - to break the United States embargo against Cuba.

It's an open wound. With Estrés, Marilyn Solaya doesn't seek to tell stories: she exposes them, shakes them up, leaves them unanesthetized. In six intertwined stories, the director turns everyday life into an emotional battlefield, where poverty, love, illness, and dignity clash relentlessly.

Cuban workers remember Che Guevara. They testify to his relationship with the workers, his good example, and his great capacity for work.

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

Tito is 23 years old with a mother who loves him and a car that allows him to earn an honest living. His neighbors see him as a formal and educated boy. Nobody knows that behind that façade hides someone with a nihilistic vision of life. And that involves committing terrible acts for which he may have to pay someday. But Tito does not care about the future. There is only the present.

A portrait of the courageous efforts of Argentine grandmothers to locate their missing grandchildren, victims of state terrorism during the late 1970s and early 1980s. Some were kidnapped, others were born in captivity. The film includes interviews with military personnel and grandchildren who were found and reunited with their families.

The life of cowboys in the Cauto River area.