José María Vitier

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In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station's bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.

Elpidio Valdés returns to the Cuban countryside to fight the Spaniards. But they face a far more dangerous enemy: the Americans, who want to take over the island at any cost. Elpidio Valdés and his comrades-in-arms will try to thwart their plans, machete in hand and with live ammunition. It was conceived as a series for Spanish television and later released as a feature film under the title Más se perdió en Cuba in Spain and Elpidio Valdés contra el águila y el león in Cuba.

In the Yucatan coast of the thirties , Elisha, a boy of 13, is initiated into the art of love by Felipa , his schoolteacher. After discovering the relationship, Felipa runs away from the village , leaving Elisha mired in nostalgia. Forced to marry another woman and lead a routine life , recalling the years passed Eliseo romance with Felipa until ten years later, the woman returns , removing his wounds and changing forever the life of Elisha , his family and the whole town

Five years after the passing of the iconic filmmaker Humberto Solas, one of the founders of the New Latin American Cinema, partners, friends and family gather to evoke aspects of the life and work of Cuban artist of universal size.

An elderly man with wings is blown off course during a tropical storm in this symbolic fantasy. The Old Man lands near a Caribbean island where a poor family gives him shelter in a chicken coop. Father Gonzaga is the skeptical priest who rushes to damn the creature. Soon the Old Man is the subject of curiosity seekers as Elisinda and Pelayo start charging admission. A traveling carnival of human oddities camps near the Old Man as people flock to see the show. The Old Man is reduced to being an unwanted pet, and after six years, he mends his wings and flies away. Nudity, simulated sex with a spider woman, and the ugliness of human exploitation definitely put this fantasy in a category not for children.

Elpidio Valdés returns to the Cuban countryside to fight against the Spaniards. But they have a much more dangerous enemy: the Americans, who want to take over the island at any cost. Elpidio Valdés and his comrades-in-arms will try to prevent them from achieving their goal, with machetes in hand and bullets flying. It was conceived as a series for Spanish television and later shown as a feature film under the name Más se perdió en Cuba (More Was Lost in Cuba) in Spain and Elpidio Valdés contra el águila y el león (Elpidio Valdés Against the Eagle and the Lion) in Cuba.

A widower is surprised to learn that his late wife lead a double life.

In December 1965, at the height of the Cold War, Che Guevara mysteriously disappeared. Using a false identity, he is escorted by former agents of the Cuban Intelligence Service who are now revealing unprecedented details of the operation.

Second feature film based on the famous characters of the Argentine cartoonist Joaquín Lavado, better known as Quino.

The story of Cuban revolutionary Ignacio Agramonte.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

As the author of one of the most influential novels in Latin American literature, Paradiso (1966), the Cuban José Lezama Lima is considered a major figure in his country. In this documentary, the director and writer Ernesto Fundora, carries out a study on the author's life through the testimonies of a long list of writers, artists and personalities close to him. The result is a film that explores his work, but also pays a heartfelt tribute to his immeasurable figure.

Mike Porcel is the lost member of the Cuban Nueva Trova musical movement. His lack of “revolutionary spirit” condemned him to the scorn of his peers and made him a pariah for a decade, until he managed to go into exile. Without resentment, but without forgetting, the film reconstructs his story and revives a forgotten brilliance.

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A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.