Don Selwyn

In a violent relationship, it takes a mother’s strength to save herself and her children from the man she loved. Once Were Warriors is a violent love story set against a contemporary urban backdrop.

Historical television series about Sir George Gray

An orphan weds an older man in circa-1900 New Zealand, then finds out he's a miser who spies on her.

Investigative journalist Alf Winters (Morrison), meets his American girlfriend, Melissa Jones (Eilbacher), at Auckland airport. As they park outside Alf's house, it explodes. It is soon apparent that persons unknown want them dead, but the police are either skeptical or in the pay of those responsible. They play hide and seek around New Zealand with the stalkers, all the while coping with car chases, plane crashes, bullets and explosions.

Recluse Smith is drawn into a revolutionary struggle between guerrillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith tries to maintain an attitude of non-violence while caught between warring factions.

Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.

Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.

Anthropologist Max Scarry mysteriously disappears while doing excavation/research of a lost New Zealand tribe on a remote island. His wife and his twin brother Edward are clueless as to what could have happened, a situation complicated by their city's police suspecting that one of the brothers murdered a local prostitute who was found with a strange tribal charm on her body matching one found in Max's abandoned hut. What most certainly isn't helping matters is the strange behavior of Max's daughter as she seems to have visions beyond possibility, warnings of a supernatural threat and her uncle's fate - and she's the film's narrator, to boot. Edward decides to go to the island to find out exactly what happened, but the deeper he goes into the mystery the more perilous and unknowable his world becomes, leading towards a shocking fate that raises more questions than it answers. (cont. http://view-from-the-paperhouse.blogspot.de/2014/10/the-threat-of-ancient-echoes-lost-tribe.html)

Lucy Lawless stars in this short which predated her rise to fame as Xena Princess Warrior. Sal is in a relationship going nowhere with Mog, a layabout who shows her no respect. A chance encounter with an easy-going female truck driver (Lawless) encourages Sal to take more chances in her life, symbolized by the purchase of a tasty but out-of-season peach.

Set in post-war (1949) rural New Zealand, this film traces the efforts of two con men to run a betting scam in a small town (Tainuea) already rife with illegal gambling corruption, and eccentricity.

Rewi Rapana returns to the small country town of Te Mata after his family has left the district. His arrival rekindles old tensions as well as renewing family ties. He is seeking an identity and a permanent place to call home yet desperately hiding a secret from his past. Oddly enough there is one person with whom he finds peace of mind. She is an old woman known as Kara. A special relationship develops between Rewi, Kara and Kara’s great granddaughter Awatea.

A young woman searches for her identity by joining a "free love" hippie commune, against the wishes of her darkly possessive widowed father. The tensions of small town New Zealand and individual conflicts generated by intolerance and fear, unleashes forces of violence and betrayal.

A majestic tale of drama, love, mystery and the clashing of cultures in early 1800's New Zealand.

A modern day take on the classic bard tale - with Silver as a movie producer.

Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.

This remarkable film traces the final impact which both races had on the indigenous Moriori of the Chatham Islands. Moriori were a peaceful people who vowed never to take up arms against another human being. They were capable of defeating the invaders, but chose not to. Drawing inspiration from Michael King's seminal book Moriori, The Feathers of Peace brings the truth about what happened on the Chathams to an even wider audience. To do that, the film uses modern television news techniques and dramatized documentary.

A documentary about the threat posed to New Zealand's Kaipara Harbour by rapacious commercial fishing and development.

A girl named Ana (Jaime Passier-Armstrong) asks about a photo in a family album and gets an awkward brush off from her mum. When the family receives news of a tragic death, it's time for truth, and secrets from the past are revealed.