José Luis Gómez

A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.

When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?

Painter Francisco Goya becomes involved with the Spanish Inquisition after his muse, Inés, is arrested by the church for heresy. Her family turns to him, hoping that his connection with fanatical Inquisitor Lorenzo, whom he is painting, can secure her release.

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

Tomás, who lives in Canada, travels to Madrid, Spain, to visit his old friend Julián. Both of them, accompanied by Truman, Julián's faithful dog, will share many surprising and emotional little moments, triggered by the hard situation Julián is going through, for just a few days.

In an anguished triangle of silences and unspoken words, a man secretly loves a woman who loves another man.

Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a feud involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel's uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.

Andres is a flamenco singer who has just gotten out of prison after being falsely convicted of the murder of Romero, a member of his band. As Andres tries to re-acclimate himself to freedom, he discovers things have not been going his way while he was up the river; his wife Lucia is having an affair with another man, while his bullying father Isidoro is obsessed with getting revenge against Don Manuel, who rules a local crime syndicate known as the Junco Family.

Constantino Zegarra is a principled Peruvian government official who stands apart from his corrupt colleagues. Throughout his two-decade career, he has steadfastly resisted corruption, driven by the memory of his father's impoverished end due to corruption. At forty, he is a dedicated family man with a teenage daughter who challenges his views. One morning, he survives a gunshot to the throat, rendering him mute. Upon recovery, he is certain that someone from his office attempted to kill him.

Four stories taking place in Lima, Peru in the 70s.

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

Madrid, 1962. More than twenty years after the civil war has finished, a communist comes back to Spain to kill a traitor.

An alcoholic partier becomes a paranoid maniac when a manuscript that predicts real-life horrors takes possession of his mind.

In the summer of 1816, Percy Shelley, his mistress Mary, and her stepsister Claire visit Lord Byron at Lake Geneva. Byron challenges each to write a horror story, and Mary begins her novel, Frankenstein. She imagines the monster becoming real, and for the next six years, as tragedy befalls those around her, she believes the personification of her imagination is the cause. Against this backdrop, Claire has Byron's baby then is estranged from him and barred from her daughter. Byron and Percy continue their friendship, the one self-centered and decadent, the other wildly idealistic. The Shelleys take up residence near Pisa.

Larger-than-life American author Ernest Hemingway is the subject of this biopic that chronicles the famous writer's life from childhood to his suicide at age 61. Haunted by various inner demons -- including his father's suicide -- Hemingway serves in World War I, marries four times, and finds creative support from Ezra Pound, Gertrude Stein and other expatriates living in 1920s Paris.

Set in a crumbling Spanish mansion, this gloriously comic and gothic story follows the fortunes of an innocent young priest as he enters a world of moral decadence, sexual intrigue and corruption of an aristocratic family in nineteenth-century Galicia.

A drama teacher casts a woman in a play about torture, and the two eventually become lovers. As production of the play develops, the director begins to receive threatening letters.

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

This film within a film is based on the painting Las Meninas by Diego de Velazquez. A young boy enters the canvas of the famous picture of the Spanish king and his court. In order to return to the real world, he must convince the artist to create his famous painting. The other plot involves a film director who is not sure how his film within a film will be created. He is distracted by his troubled marriage and has difficulty focusing on his project.

Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.