Fabrice Du Welz

On a relentless quest to avenge his sister's murder, a man from Cape Town infiltrates a sprawling network of lowlifes and elites in Los Angeles.

A few days before Christmas, traveling entertainer Marc Stevens is stuck at nightfall in a remote wood in the swampy Hautes Fagnes region of Liège when his van breaks down. An odd chap who's looking for a lost dog then leads Marc to a shuttered inn.

Six months after losing her only child in the Southeast Asia tsunami, Jeanne is convinced she sees him in a film about orphans living in the jungles.

Desperately seeking inspiration for the follow-up novel to his bestseller "Inexorable", Marcel Bellmer moves in his wife's old family mansion with his family.

Vincent Miles, a gunsmith and shooting instructor at the National Police, is an expert in combat shooting who stubbornly refuses to join a field brigade, a choice which his colleagues do not understand. When he meets Milo Cardena, a mysterious and skilled cop, his life changes in such way that he cannot ignore his true nature anymore.

Paul lives with his mother in the private clinic of doctor Loisel, deeply hidden in the woods. Paul likes to roam the forest and observe nature. One day Gloria, a schizophrenic teenager of around fifteen years old, arrives, and Paul falls in love immediately.

After researching the Flemish horror cinema in "Forgotten Scares", director Steve De Roover - with the help of co-director Jérôme Vandewattyne (Spit'N'Split) - digs deeper in the follow-up documentary "Surrealistic Nightmares" and shows the beginning of Walloon horror cinema in the '20s (!) and how the genre evolved during the following years. Through unique experiences from the original cast and crew, horror experts and various genre journalists, a broad and in-depth picture is painted about the one-of-a-kind horror legacy from the French side of Belgium, without forgetting the difficult cinema landscape of this small country with two very different languages. "Surrealistic Nightmares: An In-depth Look at Walloon Horror Cinema" is illustrated by exclusive behind the scene footage, famous film scenes and loads of original promotional artwork.

When two girls go missing, Paul Chartier, an impulsive young police recruit, is assigned to “Maldoror”. This secret unit has been set up to monitor a dangerous sex offender. When the operation fails, fed up with the limits of the legal system, Chartier embarks on a solitary hunt to bring down the culprits.

Michel, a murderous womanizer, meets introverted Gloria online and treats her to a whirlwind one-night-stand. Offering herself as an accomplice in his seductive crimes, the unhinged lovers embark on a deadly odyssey amplified by wild sex, unbridled jealousy, and passionate forays into the dark arts. This smart and gory shocker breathes new life into the lovesick horror genre to serve up a chilling tale of white-hot desperation and terrifying devotion.

In September 2022, Beatrice Dalle arrives in Italy. At the origin of this journey is the desire to walk in the footsteps of Pier Paolo Pasolini.

Mlle Lara has trouble with men, so for her birthday she plans something special in pursuit of a wonderful love.

Another documentary about the influence of Evil Dead 2, with interviews from a variety of directors.

Documentary on the rise of New French Extremism.

A portrait of Vincent Patar & Stéphane Aubier, the two joyous and iconoclastic masters of animation, authors of Pic Pic André, Panique au village and Ernest & Célestine, accompanied by all their partners and collaborators.

A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.