Bernard Sasia

This gripping historical drama recounts the story of Armenian-born Missak Manouchian, a woodworker and political activist who led an immigrant laborer division of the Parisian Resistance on 30 operations against the Nazis in 1943. The Nazis branded the group an Army of Crime, an anti-immigrant propaganda stunt that backfired as the team's members became martyrs for the Resistance.

Quiet 16-year-old Louis, the high school headmaster’s son, has never been in trouble. His best friend, 18-year-old Greg, however, is his polar opposite: provocative, angry, violent, he has been kicked out of school for physically threatening young English teacher Camille. When Greg asks Louis to help him take revenge on Camille, Louis accepts, fascinated...

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

Daniel leaves prison. He returns to Marseilles where Mathilda, his daughter, has just given birth. Nicolas, her spouse, a self-employed driver, is exhausted while Mathilda is a sales assistant on a trial basis. But, one night, Nicolas is assaulted by taxi drivers determined to reduce unfair competition.

Alexandre Dumas, at the height of his career, takes Auguste Maquet, his chief literary collaborator or 'ghost writer' ten years his junior, to meet a young unknown admirer, Charlotte Desrives. The two men are at the summit of their artistic collaboration for they have just published "The Count of Monte Christo", "Queen Margot" and "The Three Musketeers". If it's Maquet who writes the majority of the texts, both the honours and fame go to Dumas.

Although barely 30, Claire believes she is showing the first symptoms of Alzheimer's disease, a condition from which her mother has recently died. Her sister, Nathalie, is certain that her memory loss, caused by a lightning strike, is temporary. In the clinic where she is being treated, Claire is attracted to Philippe, a man who is still traumatized after a car accident in which his wife and child were both killed. In spite of their personal tragedies, Claire and Philippe fall in love. When Philippe recovers, Claire moves into his home. Then Claire's condition takes a turn for the worse.

Six stories, six films that follow on from each other; this is a glance at the childhood of renowned directors whose style has marked the history of film. A group of young directors focus their cameras on the story of these filmmakers, these childhood stories that sometimes shape an entire life and thus shed light on their cinematic works. The stories overlap to merge into one film about childhood, filled with emotional wounds, frustrations and encounters.

A young journalist (Lespert) helps the French President compile his memoirs.

Maria, who's not as young as she used to be and who helps people older than her, is living from hand to mouth. She can't quite accept her precarious situation and steals a few euros here and there from all those lovely people she looks after with such devotion, and who adore her for it… But after an accusation of abuse of a vulnerable person, Maria winds up in police custody.

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

Aram, a young man from Marseille of Armenian origin, blows up the Turkish ambassador's car in Paris. Gilles, a young cyclist who was passing at that precise moment, is seriously injured. Aram's mother feels guilty and feels the need to visit Gilles at the hospital and beg for his forgiveness, something that Gilles does not understand. Against the advice of his comrades in Beirut, Aram decides to go meet his victim.

A group of children from the same neighborhood meet a few years later. When the day comes, they meet again and take stock of their lives.

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.

In Marseille, Rosa, 60, dedicated her life to family and politics with the same sense of duty. Everyone considers her unwavering, until the day she falls in love with Henri. For the first time, Rosa is afraid to commit. Between the pressure of his family, politics and a desire to indulge in her feelings, the conflict is difficult to sustain.

Marie-Jo is a middleaged woman living an ordinary life in Marseilles with her husband, Daniel and her daughter, Julie. Daniel runs a small construction business in which Marie-Jo helps. She also works at the local hospital. Outwardly their marriage is loving. But Marie-Jo has been in love with another man for more than twelve months.Marco works as a harbour pilot and is deeply in love with Marie-Jo. Learning that loving two men is impossible, Marie-Jo is forced to make a choice.

In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

Two scriptwriter friends with opposing personalities fuss and fight as they cobble together a script for a modern political film. Their arguments seem endless, they constantly stray from the plot, but the story slowly takes shape around garage mechanics at Moliterno & co. who fight a multinational in order to save their business.

Elsa Valentin is in the middle of a brutal divorce and custody battle when she is struck by the appearance of a pretty young girl named Lola (Héloïse Cunin). Her interest in the child grows to an obsession, and she finds any possible excuse to be near her. When Lola's mother, Claire, grows unnerved by all this, Elsa admits she believes Lola is her daughter.