Editing
Cheng is a young Chinese mainlander who moves in with his expatriate cousins to work at an ice factory in Thailand. He does this with a family promise never to get involved in any fights. However, when members of his family begin disappearing after meeting the management of the factory, the resulting mystery and pressures force him to break that vow and take on the villainy of the Big Boss.
Yunpeng and his servant stay at a country inn one dark evening to escape potential robbers and ghosts. But Yunpeng chances into something far more dangerous! He accidentally happens upon the comely Anu naked in bed, and to make up for his rudeness he has to marry her. Because of her beauty, the request is not too difficult to fulfill...until she is introduced to his aunts and uncles, who notice her ghastly green glow and deduce that she's a spirit from the netherworld. But there's something even darker about her appearance, and it may be revenge on his in-laws.
Taiwanese drama film starring Ivy Ling Po.
The story of a Chinese patriot who avenges his father's death, agitates Chinese tungsten miners against their Japanese masters and falls in love with a Japanese beauty at the same time.
An evil lord kidnaps 12 sisters to start his harem, leaving the 13th sister to find a way to free them.
Two rival street gangs from Kowloon go to war over turf and bar girls so as to dominate the area and maximize their takings; however things go from bad to worse as the girls start to get involved in the bloody feud.
Cheung Ching Ching is superb, as usual, playing a blind girl who learns martial arts from an old master and who takes revenge on the Red Devil who murdered her entire family. Brilliant sword film as you'd expect from master auteur Joseph Kuo. —Wu Tang Collection
Kit-Fong was cultivated by composer Chun-Fai, who even invited her to perform in nightclubs. Kit-Fong's mother died of illness, and Chun-Fai sold her piano to help her tide over the difficulties. Kit-Fong couldn't bear it, so she borrowed money from the nightclub manager to buy a piano back, but she was almost cheated. Chun-Fai was so moved that he decided to marry Kit-Fong. Chun-Fai asks his brother for the money left to him by his father, but he wants to embezzle the inheritance, so he forces Kit-Fong to leave Chun-Fai, who has no choice but to go abroad. Chun-Fai always drank to drown his sorrows. Fortunately, he was encouraged by his friend and his sister Pik-Shan, who became famous in one song. Shan is very loyal to Fai, but unfortunately she is terminally ill. Fai marries Shan to repay her kindness. Fong returns and learns that Fai is married. While sad, Shan is missing and brings Fai and Fang together to renew their relationship.
Zhao’s husband goes to the capital to take the imperial examination but doesn’t come back. Due to famine, Zhao has to leave her hometown and find her husband, playing her lute for a living.
Sau-chen goes out with the tenant Wong Chun-ching over the protests of her class-conscious parents Eighth Uncle and his wife. To foot the medical bills of his mother, Sau-chen works as a promoter at the Products Expo for Lung Wah Pharmacy and attracts the unwanted attention of the boss Chin Hoi-ngan. Chin desires the woman as a concubine. Acting on the advice of his subordinate Chiu Chik, the boss invents a phantom son and proposes marriage with the offer of a handsome dowry. The employee Wong, short of cash and needs money fast, is drafted as his saviour to meet the parents when the plot is duly exposed. Teaming up with his tenants, Eighth Uncle invites the henpecked husband's termagant wife along and causes a scene. In gratitude of their efforts, the landlord and his wife give blessings to their daughter and her lover.
A Chinese doctor's assistant fights the morphine-dealing criminals who run a Japanese nightclub.
Lung Kong’s first color feature expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989).
No description available.
Everyday when General Xiao and his men ride through the Imperial City, inhabitants have to scatter around in order to keep out of their path. One day when Lei plans to assassinate Xiao but gets hurt, another three fighters He, Jiao and Feng come out boldly to help him out. With the help of Zhu, a cook, He succeeds to escape whereas the other three are seized. Later on, He acquaints himself with the girl Gui. Along with another two girls, Hai and Jiang, these eight youngsters are the descendants of the late patriotic generals, who have been recently murdered. Gui suspects that Hai and Jiang are controlled by Xiao and sneaks into his manor. She meets the girls successfully, but she is seized. When Wan, Xiao's butler, urges his master to kill Hai and Jiang, Jiang overhears their conversation and tries to rescue all her friends. At last, the eight are united and try their best to fight against General Xiao and his men.
This early Taiwanese Wuxia film is a classic genre tale of a revenge-seeking swordswoman (Cheung Ching-ching).
Scholar Yuen Man-lung leads a double life as Vigilante Golden Cat. Yuen is separated from his lover Tso Oi-lan by her snobbish father who promises her to Tsui Tai-fei, son of the magistrate and incriminates him as the wanted burglar. Yuen sneaks out of prison and wreaks havoc in Golden Cat's name; the exasperated magistrate has to release him. Before leaving for the imperial exams with the runaway Oi-lan, Yuen stages one final heist for his friend's sake. The officials trail Golden Cat to his house where his nocturnal costume is retrieved. His father is arrested as the criminal. Drawing a plan up her sleeves, Oi-lan's sister Oi-ling whisks the elder out of the execution ground. Despite failing at the exams presided over by corrupt examiners, Yuen saves the emperor on his homecoming journey, and returns triumphant as a duke.
In order to wait for her lover Fan Chun-tak to finish his study in Australia, Tang Sau-man works as a governess in Chui Shek-wah's house. Chui is Fan's brother-in-law. Chui spoils his wife Fan Kam-ping. She becomes lazy and dependent on Tang. Fan finishes his study and returns. He decides to transform his elder sister. He asks her best friend, Pang Shui-ha, to persuade her. Pang has a crush on Fan. Pang uses this opportunity to get intimate with Fan. Tang originally thinks that after Fan comes back, she no longer has to live in somebody's shelter. But Fan spends all his time with Pang. Tang is unhappy and drinks to vent her unhappiness. Tang gets drunk and Chui takes care of her. However, Ping thinks that they have dubious relationship and throws Tang out. Tang falls down a slope and loses one leg. Fan is angry with himself and decides to marry Tang. Ping also realises that she is wrong. She decides to change her lazy character and takes care of the disabled Tang.
Mr. Chi goes to Thailand to assist a close friend, Nai Sin, in preparing his Muay Thai boxers for a battle with Japanese boxers who have arrived in Bangkok to get even for a past loss. Instead of training Nai Sin’s students to take on the Japanese, Mr. Chi finds himself having to take on the Japanese himself, as he has to help one of Nai Sin’s top students fend off the Japanese due to the student not coming through on throwing a boxing match.
Wong Fei-Hung and the Lantern Festival Disturbance is a 1956 Wong Fei-Hung movie directed by Wu Pang.
Taiwanese romance film.
