Akiyuki Nosaka

Hisako loses her home in Tokyo to Allied bombing. With her husband fighting somewhere in Asia, she and her two children evacuate to a suburb of Kobe, where they share a house with Hisako's cousin, Kyoko. Kobe is bombed and Kyoko is killed. Hisako is forced to take care of Kyoko's two children in addition to her own, but there is not enough food for everyone.

A story about love triangle between mother and daughter relation...

In the early Showa period, a young woman named Asako drifts into a certain red light district. She appears in a white dress, straw hat, and white parasol, which is out of place in this area, but what kind of past does she have, and what are her feelings as she drifts there?

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

Teenagers are rebels without a cause. Let it be for stress relief or just a way to kill time, Mami (Kumiko Akiyoshi) and Chiaki were always up to no good – but their luck runs out when they shoplift with some other girls at a local supermarket. They flee from the scene and head back home, only to find detectives at their front door.

An ambitious Kansai yakuza don moves in on Tokyo using financial and political tactics, sparking conflict with a local criminal association.

Set during World War II, the film follows a young brother and sister as they attempt to survive the aftermath of the firebombing of Kobe City.

Kiku-chan to Ookami is, like most of the Sensou Douwa specials, based on a short story by Nosaka Akiyuki. It is set in the Japanese puppet state of Manchukuo (the Chinese province of Manchuria) during the closing days of Word War II. Life for the Japanese colonists is tranquil, with none of the hazards and shortages occurring in the Japanese homeland. Then, on August 9, 1945, the Soviet Union, fulfilling its obligations to the Western Allies, declares war and invades. The local Kwantung Army folds up like a house of cards, leaving the Japanese colonists exposed to the invading Russians and Chinese.

When a mob boss retires under political pressure, his successor and yakuza family are tested to their limits as new alliances and enemies are formed.

The third film in Shin-Ei's series of annual WWII themed anime television movies for children "Sensou Douwa"

The fourth film in Shin-Ei's series of annual WWII themed anime television movies for children "Sensou Douwa".

The second film in Shin-Ei's series of annual WWII themed anime television movies for children "Sensou Douwa".

The first film in Shin-Ei's series of annual WWII themed anime television movies for children "Sensou Douwa"

Sequel to "Guys Who Never Learn".

A 16-year-old girl works in a factory to pay her late father’s debt. When she makes up her mind to become a hostess, a boy approaches her with kind and gentle manners...(Also occasionally known in English as “Play”)

War drama based on a short story by Akiyuki Nosaka.

The film portrays a satirical view of today's heartless money-oriented society.

No description available.

Based on a story by Akiyuki Nosaka.

Short film by Akiyuki Nosaka.