Jacques Bilodeau

Tom Sawyer and Huckleberry Finn live in a small town on the Mississippi River above St. Louis. Tom is raised by his Aunt Polly, with whom he lives together with his brother Sid. Huckleberry, known as Huck, is homeless and does not go to school—his father is an alcoholic and has been missing for some time, with many believing him to be dead. But Tom and Huck are friends—and will remain so, come what may.

Two incredibly primitive backwoods types have just been released from prison for kidnapping the local police chief's daughter but still have a hankering for a woman. When they return to their campsite, they discover a woodland nymph whom they both bed and who drives them wild. Jealousy arises.

A family that does not conform to the social norms of a small village must suffer the intolerance of the other villagers when the mentally-challenged son falls in love with the schoolteacher.

At the turn of the century, Rose-Aimée, the hard working wife of photographer J.A. Martin, decides to leave her children with an aunt to go with him on his annual tour of the Québec countryside. She hopes the intimacy will rekindle their marriage.

A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.

The illegitimate son of an Indian woman and a French Canadian man leaves home and is attacked when he tries to return.

A pleasant fantasy about the setbacks experienced by a young man who loves costumes. His wife having left him, he goes after her to live some rather funny adventures.

The film is a continuation of the story of Tom Sawyer and his friends, the second part of the Romanian screenplay after the famous novel by Mark Twain. The three friends Tom, Huck and Becky continue their adventures full of puzzles and suspense.

Bernadette has a yen to chuck it all and go back to nature, in this French-language Canadian film. That's just what she does after carefully leaving her wedding ring where her affluent husband, a lawyer, can see it. She has bought a farm, complete with a run-down farmhouse and a live-in cranky old man. Soon, because of the wonderful effects that her sympathy and her outsider's perspective have, her neighbors perceive great improvements in their lives. They attribute these changes to something miraculous (perhaps taking a cue from her name), and hordes of needy people descend on her farm.

In the countryside of Quebec, a new phenomenon has appeared: violence. How does a handsome, tall, free and peaceful village boy let himself be led down the path of crime?

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

We witness the race for marriage of thousands of young people, wanting at all costs to escape conscription, then we are transported to the war factories and we thus witness the difficulties of work in this place. Then it's the Italian campaign in 1943 and, finally, the return to Quebec where readjustment to civilian life proves more difficult than it seems. These events are experienced and told by the voice of a young man.

André and his sister Lucille come from a wealthy family. Both seem attached to Georges, be charismatic, exuberant, charming and self-centered. A vicious man who hates his life and seems to take pleasure in manipulating others in squalid perverse games.

Pioneers struggle to establish a town in the harsh unsettled wilderness of northern Quebec during the depression.

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