Production
When their daughter decides to get a divorce, Coline and Andre can’t come to terms with it as they are very fond of their son-in-law. The only way to keep seeing him is in secret. But for how long can they lead a double life?
Fueled by literary aspirations and youthful exuberance, two competitive friends endure the pangs of love, depression, and burgeoning careers.
Muriel is beautiful, free-spirited and bed-ridden since a horrific accident. Leo is a drunk middle-aged ex-boxer. Desperate for work and unqualified, he interviews for Muriel, who hires him to cook and care for her against her better judgment. Initially out of his depth, Leo slowly wins Muriel's trust. As Muriel teaches him to read, he forces her to confront the joys beyond her window.
June 1944. Europe is torn apart by war, and preparations are underway for the Normandy landings. Denis Porte continues his daily work with dedication at a British military base... which is fake. His mission: to move fake soldiers around every day and thus deceive the enemy. In the Porte family, there is a tendency for fathers and sons to die as heroes for France. So there is no question of Porte taking the slightest risk for his mother. Looking after a fake base is the most she will tolerate for her son. But after meeting Sami, an Algerian doctor who dreams of meeting De Gaulle, they decide during a drunken evening to take part. They set off bravely (and with quite a few drinks under their belts). Except that they don't have the right date or the right place. Add to that a hero who doesn't want to expose himself to danger. On D-Day, or almost...
An anonymous hacker has hacked all of Paris' cameras and observes the city unbeknownst to its inhabitants. Petty crimes and moments of stolen intimacy, he sees everything. Until the day that an explosion lays waste to the Gare d'Austerlitz. The police starts tracking down an Al Queda satellite group. The hacker succeeds in finding images of the explosion and discovers that it was a young couple who planted the bomb. Using the city's cameras, he decides to hunt down the criminals.
Two young men have left their obscure Balkan country to earn some money as "guest workers" in western Europe. On their way back home, they attempt to change trains in Paris but encounter surprising difficulties from the ticket authorities there. It seems that political changes have rendered their homeland nonexistent, and their passports are no good. Before long, they are stranded in Paris without passports, without a country, and soon even their luggage is stolen. Their fumbling efforts to straighten out the mess result in the French press getting into the act, labeling them as Russian spies. The Parisian expatriate community takes them into its bosom, and romance blooms between one of the lads and a Spanish hatmaker, before they finally achieve a (highly improbable) solution for their difficulties.
