Tania Stöcklin

Tracing the past of her deceased grandfather who worked as a young doctor in the Red Cross hospital of HirSwiss-Japanese filmmaker Aya Domenig, the granddaughter of a doctor on duty during the 1945 atomic bombing of Hiroshima, approaches the experience of her deceased grandfather by tracing the lives of a doctor and of former nurses who once shared the same experience. While gathering the memories and present views of these last survivors, the nuclear disaster in Fukushima strikes and history seems to repeat itself.oshima after the atomic bomb was dropped over the city, the filmmaker encounters doctors and nurses who went through similar experiences to his at the time. Right up until his death in 1991, her grandfather was never able to speak about his experiences, but the formidable stories and openness of her protagonists bring her closer to his past.

17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.

The incredible story of how the mummified corpse of a 40-year-old man was discovered by a hunter in one of the most remote parts of the country. The dead man's detailed notes reveal that he actually committed suicide through self-imposed starvation only the summer before. Liechti's film is a stunning rapprochement of a fictional text, which itself is based upon a true event: a cinematic manifesto for life, challenged by the main character's radical renunciation of life itself.

The first documentary about the legendary mime Marcel Marceau. He inspired several generations of artists, including his grandson and his family, who shed new light on his life’s work.

A documentary about experimental drummer Fritz Hauser.

This documentary follows Swiss improvisation musicians and tells their stories.

A family finds it difficult to talk about feelings, love or intimacy. Hiring, selling and repairing excavators requires the attention of the family. Everyone has to pitch in. When the daughter has a fatal accident, the family idyll falls apart.

Martin indulged in his excessive use of drugs. He recorded his frenzied life in his diaries while his friend Ivo passionately captured everything on film with his Super 8 camera. Both sought for the absolute – average was not an option. Through the lens of this journal, Ivo Zen tells the story of his generation, a story about friendship and the desire to fly higher than anybody else.

Mario, a young, handsome surveyor, arrives in a small Patagonian town to prepare the overland transport of a passenger ship. The inhabitants eagerly await the trek, some hoping it will establish a better link to the outside world, others just sensing an opportunity to make money. No only by falling in love with Gloria, who runs a garment store, is married to a wealthy hacienda owner, but also has an affair with the town's mayor, Mario gets entangled in a tight web of relations.

A film about longstanding relationships, family, and the deep consequences of falling in love. While exploring themes of love in music, poetry and art, the filmmaker reflects on his life and the journeys on which love has taken him. Now, a new journey will test him again, an intercontinental exodus to keep his family together. A real and intimate portrait about the complexity of love.

The father tends his large garden with the utmost precision. The mother irons shirts and regrets that the father never wears T-shirts. The father likes order, always knows best, and has everything under control. The mother prays and talks of her loneliness. The two are fundamentally different, have opposing views and interests, and have been married for 62 years. Closely knit yet poles apart: this is the ambivalent standpoint from which Peter Liechti turns his lens on his elderly parents and the story of their marriage. Alongside conversations that shift from slapstick to insanity and observations of daily life in his parents’ cramped, lower middle class apartment, a puppet theatre is also established as a second location. This forms the stage for scenes between mother and father to be reenacted by rabbit puppets; as a puppet, the son can also react in explosive fashion.

After 30 years of chain smoking, Swiss filmmaker Peter Liechti sets out on a journey - three times! - to wean himself off cigarettes. He departs from Zürich and walks to St. Gallen, the place were he grew up und also the place where he started smoking. On his pilgrimage through Switzerland he hopes to find the root of his addiction and waits for a final catharsis to release him. Time and time again though, his sympathy for other smokers and disdain for goody-goody non-smokers gets in the way. And time after time his nicotine addiction gets the best of him. His three attempts to quit by walking it off, turn into an expedition of Liechtis home country. He gives a declaration of independence but also a confession of love to Switzerland.

A couple makes love in a hotel. She lives in Switzerland, he lives in Belgrad. What’s been destroyed by war will be reborn in this hotel room.

A black comedy telling of Georgette's frustrated love affair with brother Emile and her career as a 'black widow' - seducing and poisoning the male citizens of a small German town circa 1900.

Onboard the Panerai container ship, the young sailor Rudmer dreams of becoming a captain himself one day.

Marie is a petty thief, Joe her law-abiding lover; both dream of becoming music stars, and they have to leave their Swiss coastal town after Marie shoots a man during an abortive robbery, hoping to escape to America.

How do you cope if things turn out differently than you'd imagined? Helena (19) and Jonas (11) are people in great need of support, putting their parents, families, schools and society to the test. The film breaks down the wall that separates them from our world, shows how language and community develop - and asks the question of who we are.

Is parenthood the only logical continuation of every life? Has the traditional concept of the nuclear family had its day? The filmmaker has achieved what many women in a comparable situation think about but never actually do. In the film, based on her daughter's procreation story and with the help of a sperm donor, Marina Belobrovaja deals with existing social ideas, role patterns and conventions around parenthood and family.