Chiquinho Brandão

Maria Eduarda "Duda" Pinheiro is a successful top model. After being hired to model Covery brand clothes, she meets the Kundera brothers, Alex and Gaspar, owners of the company. Gaspar, a former beatnik, is over 40 but still practices surfing, lives in a beach-side house and raises five children: Elvis (named after Elvis Presley), Ringo (Starr), Jane (Fonda), Olívia (Newton-John) and (John) Lennon, all from different mothers who left them with him. Anastácia "Naná" Passos, Duda's friend and mentor, loves him platonically, and rivalizes with Mariza Borges over him. Alex by contrast is a yuppie. He and their mother Morgana have a love-hate relationship and rivalry with his brother over Morgana's attention and the company. Alex begins to love Duda, however she falls in love with Lucas, a graffiti artist who is on the run from the São Paulo police due to his involvement in a crime there. He is also searching for his real father, and thinks it's either Alex or Gaspar.

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Faustão, a fruit seller, is selected by God himself to become Inspector Faustão, defender of the animals. He's joined by Sérgio Mallandro in a mission to save a group of quails from an illegal smuggler, while also having to deal with a bratty kid and a jealous girlfriend.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

Many exotic characters meet in São Paulo night, looking for love and adventure: Malu, a model; Mauro, a drag queen; Teddy, a hustler; Guto, a gay reporter; and Marta, an actress.

Nhô Quim has only one dream in his life: to eat red meat. He meets Carula, a young woman anxious to get married, who promises him that in their wedding her father will kill him an ox. But, before that, Nhô Quim must pass a series of tests.

Interspersed with documentation of dancer Juliana Carneiro da Cunha’s "Possession" performance, which draws from Christian mysticism, in the filmmaker’s words this experimental short is about “the psychic suffering of women in a patriarchal society”. It takes the viewer on a disorienting journey—with abrupt cuts in sound and image—through the Catholic Church, repressed sexuality, racial violence perpetrated by white women, maternal fatigue, male chauvinism and drug addiction…

Worker Norival's life turns upside down when he is caught kissing his co-worker Catarina during work hours. He is fired for just cause and faces the hardships of the labor lawsuit he filed against the company.

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After seven years in jail, Anjo meets up with his former accomplice, now head of a criminal organization. The former detainee finds himself embroiled with an underworld star, Shirley Sombra, and finds enmity with a corrupt police officer.

Tropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.

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The path of Paraguayan immigrants who drive to Asuncion and then arrive in São Paulo. They are rural workers, musicians, vendors and underemployed people. Two parallel worlds: the Guarani culture and the Brazilian adventure in São Paulo juxtaposed with Paraguayan songs and the Guarani language, spoken by the main characters.

A trip throught brazilian 60's/70's hippie universe.

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