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Rudolph Grey

Writing

Biography

From Wikipedia: Rudolph Grey is a musician and writer. As an electric guitarist, Grey has recorded and performed with Mars, under his own name, as well as leading various ad hoc ensembles called The Blue Humans. His music draws on no wave and free jazz. Grey is also a motion picture historian and has written Nightmare of Ecstasy (1992), a biography of Ed Wood, the director of notoriously awful films. Tim Burton's Ed Wood was based on Nightmare. In 2001, Grey rediscovered a copy of Ed Wood's final feature-length film, Necromania, which had been presumed to be lost.

Known For

The Incredibly Strange Film Show
9.0

A series of documentaries focusing on the world of psychotronic movies; focusing on the lives of filmakers such as Hershell Gordon Lewis, Saim Raimi, Doris Wishman, Ed Wood Jr, and Tsui Hark. Covers weird movie genres, like Mexican wrestling movies and Hong Kong horror films.

The Incredibly Strange Film Show

1988
Ed Wood
7.5

The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.

Ed Wood

1994
Flying Saucers Over Hollywood: The 'Plan 9' Companion
7.2

A documentary detailing the making of the cult favorite "Plan 9 from Outer Space," featuring interviews with cast members and prominent filmmakers about the film, its lasting legacy, and its creator, Edward D. Wood Jr.

Flying Saucers Over Hollywood: The 'Plan 9' Companion

1992
Metropolitan Monologues
8.5

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.

Metropolitan Monologues

2000