Mitsuyoshi Takasu

Ruthless dominatrixes pursue a mild-mannered salesman who wants to get out of his unbreakable contract with a secret bondage club.

A boy meeting his girlfriend's father for the first time. Visiting a hospitalized high school classmate. The last drink between a failed entertainer and his manager. Combat that ends up in a rap battle. A conversation between sisters at their mother's funeral. An encounter between two random time travelers.

Daisato, a second-rate, third-generation superhero, annoys his neighbors with the noise and destruction he causes on the job. But a heroic public image is the least of his concerns. Besides defending Japan from bizarre monsters, he must deal with an agent seeking to brand him with ads, a superhero grandfather with Alzheimer's and a family embarrassed by his incompetence.

A Japanese man in polka-dot pajamas wakes up in a room with no doors. Meanwhile, a middle-aged Mexican wrestler prepares for his most challenging match ever.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Ashita Ga Arusa is a Japanese television drama series first aired on NTV in 2001.

Kanjuro Nomi is an aging samurai who only has a scabbard. Deserting his lord to wander the land with his daughter Tae, Kanjuro is captured and sentenced to an unusual punishment: he has 30 days to bring a smile to the sad prince who has lost his mother — or else he must die.

No description available.

Parents leave their son home alone for awhile, but mistakenly order ninja Sasuke of Ninja Service, who has very peculiar methods of babysitting.