Manfred Durniok

A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.

Near the end of WWII a lone U-Boat is sent from Germany to Japan carrying plutonium needed for a Japanese A-Bomb. During the long journey, news arrives on the radio that Hitler killed himself and Germany has surrendered. This causes a rift in the crew, the Nazi Party members wanting to continue to Japan since they are still at war, while the others just want to surrender or return home.

Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.

Based on a semi-autobiographical story by Ogai Mori, about a Japanese medical student who goes to Berlin to study in the 1880s and falls in love with a German ballet dancer.

German two-part miniseries about the westerns staying at a popular hotel in Shanghai as the Japanese invasion of China also known as the Second Sino-Japanese War begins in 1937 as a precursor to WWII.

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A banker troubled by both business and personal problems is transferred to a small town. There he meets and seduces an older woman. Together, they decide to pull off a payroll holdup together.

A young Estonian goes to the Siberian Taiga to live as a hunter in a remote forest hut. He hopes to find his true self far from civilisation. The natives he meets introduce him to the myths of the north. The first is a young village teacher who wants to be a good wife to him. The second is a wild and untameable native who becomes his mythical bear-woman. When he accidentally kills a great black bear, his own shadow-creature, he burdens himself with guilt. However, he is given a chance of finding his inner balance. A romantic drama with mythical elements and breathtaking landscapes.

In the last years of the Middle Ages, the Corpus Christi procession takes place in the Spanish city of Toledo. There, the young Calixto meets the beautiful lady Melibea, and he falls in love immediately, trying to court her, but getting only the rejection of the young woman. Determined to make her his mistress, Calixto chases her wherever she goes, thus causing "incidental" encounters. Then the lover decides to follow the advice of his servant Sempronius and go to an old bawd called Celestina, who, with the help of her evil arts and tips, bow down Melibea's will and causes tragic consequences for everyone.

No description available.

The love story between a German cancer researcher and her Polish colleague that drags on for more than ten years. Both are married, which rules out marriage, but fuels their passion, as they only see each other a few days a year at medical congresses.

Kirsten Kosinski (Anna Kristina) leaves her provincial town to work in the big city. After getting a job as a secretary, she finds herself occasionally "sellin her charms." Eventually, she becomes a full-time prostitute and feels the need to ensure the protection of a pimp to survive in this environment.

When a renowned Berlin architect pays a visit to his birthplace, a Polish village which was part of Germany before World War II, he's suddenly compelled to discover the truth about his past.

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A visit to a West Berlin dance club.

Manfred Durniok (1934-2003), German film director and producer, shot his first short documentary films in the 1950s and 1960s. At the end of the 50s he got to know Oskar Sala (1910-2002) and took advantage of the composers electro-acoustic and musical skills in many of his subsequent black and white motion pictures.

No description available.

Manfred Durniok (1934-2003), German film director and producer, shot his first short documentary films in the 1950s and 1960s. At the end of the 50s he got to know Oskar Sala (1910-2002) and took advantage of the composers electro-acoustic and musical skills in many of his subsequent black and white motion pictures. Thus, Durniok could concentrate on images and editing sequences of his movies without having to worry about live sound. The soundtrack subsequently created by Sala has always been a free, electronically-abstract composition with a strong rhythmic and tonal reference to sequence and image content.

No description available.