Margarita Isabel

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

No description available.

La Madrastra is a Mexican telenovela. It was produced by Televisa and broadcast on Canal de las Estrellas in Mexico from 7 February 2005 through 29 July 2005. The program became an unexpected success, garnering ratings in excess of 30 points. Starring Victoria Ruffo and César Évora, who last appeared together in 2000's Abrázame muy fuerte, La madrastra tells the story of María, a woman who lost twenty years of her life after being falsely accused of murder and who returns to Mexico to exact revenge on her husband and friends who abandoned her and to see her beloved children once more. La Madrastra is fourth in a series of remakes of the 1981 Chilean production of the same name. The program aired five nights a week, Monday through Friday, at 9 pm for 25 weeks. A follow-up special, La madrastra: años después, aired shortly after the finale on 30 July 2005.

Luz Clarita is a Mexican telenovela produced by Televisa that aired on Canal de las Estrellas in 1996. The series, a remake of Andrea Celeste and Chispita, stars Verónica Merchant and César Évora, as well as child actors Daniela Luján and Ximena Sariñana. It has a dual storyline intended to attract both children and adults.

No description available.

La Hora Marcada was a 1986 Mexican television anthology series famous for its horror and science fiction themes in the vein of the Twilight Zone. Although virtually unknown outside the country, it achieved a popular and critical success in Mexico. It had a series of rotating writers and directors, among them Emmanuel Lubezki, Guillermo del Toro and Alfonso Cuarón.

Faced with his own mortality, an ingenious alchemist tried to perfect an invention that would provide him with the key to eternal life. It was called the Cronos device. When he died more than 400 years later, he took the secrets of this remarkable device to the grave with him. Now, an elderly antiques dealer has found the hellish machine hidden in a statue and learns about its incredible powers. The more he uses the device, the younger he becomes...but nothing comes without a price. Life after death is just the beginning as this nerve-shattering thriller unfolds and the fountain of youth turns bloody.

Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.

No description available.

Set ten years after the finale's quintuple wedding, the special portrays the happily reunited San Román family, including four new grandchildren, as well as the Xochimilco residents. The San Románs go to Patricia's lake cabin in order to celebrate their shared ten-year wedding anniversary, unaware that Demetrio, whom they believe died after escaping from prison a year prior, is actually alive and well and is conspiring with his grandson, Ángel and Alma's young son Angelito, and the San Román grandchildren's nanny, Diana, to kill the entire family.

A telephone operator from Mexico City tries to support a family and her passion for popular dance.

Susana, a beautiful young girl living in 1990, is happily looking forward to her forthcoming marriage - and has bought an antique mirror to grace her future home. Three weeks before the wedding, the mirror is delivered to her Grandmother's home and taken to Susana's room. Later that day, when looking into the glass, Susana is startled to see the image of a handsome soldier, Nicolas (from 1863), instead of her own reflection. It soon becomes obvious that he can see Susana as clearly as she can see him - and life, for them both, is never quite the same again. Contains three shorts as a trilogy: The Two Way Mirror (El espejo de dos lunas) 1990, 0:29:23 With You from a Distance (Contigo en la distancia) 1991, 0:27:38 Saturday Night Thief (Ladrón de sábado) 1996, 0:24:57

The sexual misunderstandings caused by the real identity of a rich woman serve Hermosillo to satirize the moral and social hypocrisy of the provincial that every Mexican carries inside.

One woman lives waiting for her son who is a sailor. She hasn't seen him for years although he writes to her a lot. The woman shares the letters and her grief with a co-worker and friend. This last woman begins to idealize her friend's son.

In Mexico City, Ricardo is a family man, pressed by responsibilities, when he finally lands a better job as creative director for an ad agency. But that's when his problems really begin: his boss is a martinet, and suddenly Ricardo finds himself unable to perform in bed with his luscious wife, whose red lips have driven him wild to now. She's dismayed that he's seemingly lost interest; she seeks advice from friends and tries to spice things up with Ricardo. Meanwhile, at the office, he faces other temptations. Can Ricardo find a way to succeed at work and succeed at home?

Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes friends with the old dude downstairs and the young dude upstairs as she tries to find him. Things take a bit of a twist as she realized the kidnapping may not be as simple as it seems on the surface.

Tired of being mistreated by their husbands, Ema (Reyes Spindola), Clotilde (Elizarraras) and Chayo (Orozco) leave their past (children and husbands included) and begin an adventure that will take them to a cavernous cabaret in Guadalajara, a love affair with a hot-blooded young drug dealer and, finally, a popular and well decorated mexican restaurant in downtown L.A. In the middle, the three women will find their respective self-esteem and their true reasons for living.

After being falsely accused of a murder, Marcos runs away to the small and quiet town of Cuevano. There he finds that the family matters are more complicated than his.

Young Guadalupe and her boyfriend love music. She plays flute and he plays clarinet. On Sundays, after attending mass, they give concerts in their parishes. Salome is a young girl who dances salsa every night. All the men who frequent the room where she dances fall in love with her, especially Raúl, a mechanic convinced that his love is impossible, but it turns out that Guadalupe and Salomé are the same person and their love is realized, in spite of the clarinetist.

Two single women share an apartment, work together, and sometimes swap boyfriends. None of their romantic attachments seem quite as stable or enduring as their friendship.