Marcia Nasatir

Archaeologist Rick O'Connell travels to China, pitting him against an emperor from the 2,000-year-old Han dynasty who's returned from the dead to pursue a quest for world domination. This time, O'Connell enlists the help of his wife and son to quash the so-called 'Dragon Emperor' and his abuse of supernatural power.

Trapped near the summit of K2, the world's second-highest mountain, Annie Garrett radios to base camp for help. Brother Peter hears Annie's message and assembles a team to save her and her group before they succumb to K2's unforgiving elements. But, as Annie lays injured in an icy cavern, the rescuers face several terrifying events that could end the rescue attempt -- and their lives.

The men of Bravo Company are facing a battle that's all uphill… up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country, their fellow soldiers and their lives. War is hell, but this is worse. Hamburger Hill tells it the way it was, the way it really was. It's a raw, gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. This happened. Hamburger Hill - war at its worst, men at their best.

Seven old college friends gather for a weekend reunion after the funeral of one of their own.

An alcoholic drifter spends Halloween in his hometown of Albany, New York after returning there for the first time in decades.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

On a tour of Britain in 1926, Harry Houdini enters into a passionate affair with a psychic out to con the famous magician.

A spoiled young rich girl rebels against her parents by becoming a call girl. However, one night she arrives at a hotel for a "rendezvous" with a client and discovers to her horror that he is none other than her father.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.

Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.

An exploration of the relationship between Beat Generation writers Jack Kerouac and Neal Cassady, and Cassady's wife, Carolyn.

Architect Jonathan moves into an LA courtyard apartment complex; then one of his neighbors is murdered ... by mistake ... Jonathan was the intended victim!

Shepherd is the detective hired by an aristocratic Italian to locate a relative and thereby solve an ancient inheritance problem. As she sinks into the case, however, she finds out that there is much more to the case.

With the rapid emergence of digital devices, an unstoppable, invisible force is changing human lives in ways from the microscopic to the gargantuan: Big Data, a word that was barely used a few years ago but now governs the day for many of us from the moment we awaken to the extinguishing of the final late-evening light bulb. This massive gathering and analyzing of data in real time is allowing us to not only address some of humanity biggest challenges but is also helping create a new kind of planetary nervous system. Yet as Edward Snowden and the release of the Prism documents have shown, the accessibility of all these data comes at a steep price. The Human Face of Big Data captures the promise and peril of this extraordinary knowledge revolution.

The life and career of Marcia Nasatir, the first female president of United Artists.

Who should direct the film? Who should write it? Who should edit the final product? With major Hollywood studios, these questions lie within the producer's domain.