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In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.
When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.
In the year 1810, the Tyrol is suffering under French occupation. A servant, who believes himself oppressed and disenfranchised by the peasants, dreams of being allowed to play Christ in the yearly Passion Play. Instead, he is forced to play Judas and soon the lines of reality blur: he betrays the location of Andreas Hofer, hidden by the farmers, breaks under the weight of his guilt and suffers Judas' fate.
Set in the Ottoman Empire during the Nineteenth century, the film portrays a series of oriental adventures of the two travellers Kara Ben Nemsi and Hadschi Halef Omar.
Elisabeth is subject of a girl's boarding school run by the nuns. The village idiot Michele adores her and is particularly drawn to her organ playing. In his madness, he kills the girl's father and tries to lay the blame on the organist.
After his girlfriend is murdered, an art critic realizes that a wealthy heiress is falling in love with him.
The film The Green Domino is adapted from the 1933 stage play Der Fall Claasen by German dramatist Erich Ebermayer, whose works often examined criminal cases and moral dilemmas. Ebermayer's play, premiered at Vienna's Akademietheater, centers on a mysterious figure linked to a green domino mask during a pivotal event, blending elements of intrigue and personal reckoning.
Hinrich, the son of a feudal German landowner, falls in love with the beautiful daughter of one of his father's serfs despite opposition from both families. But when he actually offers marriage to her, this is going too far. The return of his brother Detlev, with an unscrupulous aristocratic bride of his own and a rival claim to their father's estates, proves to be the trigger for tragedy.
Harry Yquem buys his beloved wife some jewelry in a place where underworld middlemen trade in fake and stolen goods. By chance, he spots a man with whom his wife had an affair in the past.
On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.
