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Chico Hamilton

Chico Hamilton

Sound

Biography

Foreststorn "Chico" Hamilton (September 20, 1921 – November 25, 2013) was an American jazz drummer and bandleader. He came to prominence as sideman for Lester Young, Gerry Mulligan, Count Basie, and Lena Horne. Hamilton became a bandleader, first with a quintet featuring the cello as a lead instrument, an unusual choice for a jazz band in the 1950s, and subsequently leading bands that performed cool jazz, post bop, and jazz fusion. Description above from the Wikipedia article Chico Hamilton, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Mr. Ricco
6.2

Accused murderer Frankie Steele walks free, thanks to the efforts of San Francisco defense lawyer Joe Ricco. Then a pair of cop killings strikes the city. All signs point to the newly released Steele as the perpetrator. Has Ricco sprung a killer? Dean Martin keeps his affable ease but abandons his hipster Matt Helm-series swagger to portray Ricco in his final leading-role film, a whodunit mystery set in the city that also was the gritty center of action for the era’s Bullitt and Dirty Harry. Convinced that Steele isn’t behind the murders, Ricco launches an inquiry and runs up against a police lieutenant assigned to birddog him, evidence planted by a racist cop and several assassination attempts on Ricco himself. As the mystery deepens, so does the danger. And behind it all is someone the attorney never suspected. The pre-Laverne & Shirley Cindy Williams plays Ricco’s office assistant.

Mr. Ricco

1975Movie
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10.0

Confessor, a city-dweller who has “bugged” several telephone lines, hears the stories of: a woman who wishes for a white knight but realizes the man is sterile upon his arrival; a woman living with a mannequin that takes the place of a husband; and females who attend parties in the nude. A proxy for the Vietnam War is staged in a supermarket, and the Confessor, or one of the subjects he has surreptitiously monitored, dies amid an assault of mass media imagery. "...an American underground effort by Edward Bergman and Alan Soffin shown in the Film Market. Despite some portentous attempts at structure, this is closer to a collection of shorts than a feature, and often amateurish shorts at that, pivoted around the general theme of media overload (another version of Future Shock?)" - Jonathan Rosenbaum

Confessor

1974Movie