Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
A long-running German television series about a two-man team of highway police, originally set in Berlin and later in North Rhine-Westphalia.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
After the Klatts' daughter goes missing, they take matters into their own hands and hatch a wild plan: Spy on the neighborhood. As they make their way into small-time espionage, shocking secrets come to light one by one.
Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.
Wolffs Revier is a German television series.
After the fall of the Berlin Wall, a former East German spy resolves to find out who betrayed her and why — and use her lethal skills to exact revenge.
Mord mit Aussicht is a German satirical crime comedy television series, produced by ARD, following the adventures of Sophie Haas, a detective from the city that takes a job in the fictional country village of Hengasch. Much of the humour of the series derives from the clichés of both city and provincial lives, in a similar manner to the English comedy crime series Midsomer Murders.
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Helgoland. Here, on Germany's only offshore island, a small community of survivors of an apocalypse that has overrun the rest of the world and plunged it into chaos is holed up. But the price of their survival is high. The resources on the rocky island are scarce, so that an inhumane "social ranking" system determines the lives of the 513 inhabitants: each islander is evaluated according to his usefulness. The only doctor is high on the list, others are far behind, and they have to fight for their place on the list and their survival. Meanwhile, people from the mainland are trying to get to Helgoland and the Helgolanders have to defend their island.
Jonas is in his mid-twenties, still lives with his parents and gets dumped by his girlfriend. He soon gets to know Lena, a tough young woman with ideals, and immediately falls in love with her. However, to prove he is worthy of her love, he has to pass an endurance test.
In the last house just behind the western borders of Russia, between Paris/Texas and Korleput/Mecklenburg-Vorpommern, Cindy Sherman, Dogma 95 and Duma 2000, Frank Castorf directs his virst video production "Dämonen" ("Demons") as a sort of post-Soviet-panslavistic panopticon in his own dramaturgy based on Dostojewski's "Demons" and Camus' "The Posessed". All that in set designer Bert Neumann's industrial-designed bungalow (with swimming pool) built onto forbidding landscape.
After surviving a racist attack, state prosecutor Seyo Kim takes her own case to court – confronting both the perpetrators and a justice system that turns a blind eye to right-wing extremism.