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Joanna Shimkus

Joanna Shimkus

Acting

Biography

Joanna Marie Shimkus (born 30 October 1943) is a Canadian film actress. She is the widow of actor Sidney Poitier and mother of actress Sydney Tamiia Poitier. Joanna Marie Shimkus was born in Halifax, Nova Scotia, to Joseph Shimkus, a Jewish father of Lithuanian descent, and Marie Petrie, a Roman Catholic of Irish descent. Her father worked for the Royal Canadian Navy. She attended a convent school and was brought up in Montreal. She made her debut in 1964 in Jean Aurel's film De l'amour. (She was first featured in Jean-Luc Godard's short "Montparnasse-Levallois," his contribution to the anthology film Six in Paris; it was shot in December 1963, but the film was not released until 1965.) She was then noticed by film director Robert Enrico, who selected her to appear in three of his films; Les aventuriers (1967), opposite Alain Delon and Lino Ventura, Tante Zita (1968), and Ho! (1968). She appeared in Joseph Losey's film Boom! (1968), opposite Elizabeth Taylor and Richard Burton, and The Lost Man (1969), opposite Sidney Poitier. Her film career continued until the early 1970s, including roles in L'Invitée (1969), The Virgin and the Gypsy (1970), The Marriage of a Young Stockbroker (1971), and A Time for Loving (1972). Shimkus married Sidney Poitier in 1976, and they have two daughters: Anika and Sydney Tamiia, who is also an actress. Shimkus has three grandchildren; two from Anika and one from Sydney Tamiia. Sidney Poitier died on January 6, 2022, aged 94. Source: Article "Joanna Shimkus" from Wikipedia in English, licensed under CC-BY-SA.

Known For

Idoli controluce
10.0

Having been assigned by his publisher to write a biography of Omar Sivori, the great footballer, Ugo Sanfelice heads for Torino. Given he is not very knowledgeable about soccer, Ugo tries -several times but in vain - to obtain an appointment from Sivori. Forced to fall back upon persons being or having been in contact with the elusive star, he gets to know young forward-center Moretti and soon becomes friendly with him. The young man confides in him and tells him the whole truth about his own "career" : the training in a small provincial team, the promising debut alongside Sivori, the desertion of his fiancée, the premature decline due to a dissolute life. When Sanfelice finally meets Sivori, he finds that the star is no match - humanely at least - for Moretti and he gives up writing the book at all.

Idoli controluce

1965Movie