Nataliya Vdovina

After the death of Alexey Gradov, the owner of a large construction holding company, his heirs enter into a struggle for a billion-dollar fortune with a former official and business partner of the deceased. On the family side, the war is led by Gradov Sr., the patriarch of the family, who founded the family business in the 90s, but retired. As an ally, he takes the financier and strategist of the company Nadezhda, who was not only a colleague, but also his son's mistress. In addition to the redistribution of assets, the Gradovs — wives, children, grandchildren — are busy identifying old grievances and accumulated claims against each other. They have everything—money, power, connections, status. But that's not enough for them. In the pursuit of inheritance, they are ready to tear apart not only the enemies of the family, but also each other.

A well-known journalist is assassinated during the presidential campaign in Poland. The media pushes the narrative of Russian interference in the country's internal affairs, in order to support Silesian separatists and destabilize the situation. From a small spark, a geopolitical conflagration is ignited, capable of causing enormous damage.

Andrey drives a cab, but he’s no ordinary Taxi driver. All his passengers are dead. His job is to deliver them to the Afterlife, but it’s never straightforward. Andrey’s passengers come from all walks of life and each has a story, they can’t reach their destined afterlife until they face-up to and atone for something from their past. But it’s a rare soul who wants to hold a mirror up to their faults, they need a guide, some encouragement, and so they turn to the only other presence in the taxi, Andrey. Andrey himself is an enigma, a taciturn driver who exists only in the present, and a reluctant guide for lost souls. Each time Andrey successfully delivers a lost soul from limbo, a mysterious number on the taxi-meter counts down one by one. And with each soul’s story a little bit more of Andrey’s past is revealed. Are the Passengers the only souls seeking redemption?

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18 directors, 18 novels, 18 short stories about Moscow...

Ivan Ivanovich Zhurov — unlucky, but very experienced detective. He travels everywhere on his old "Pobeda", one brings up a daughter, loves to drink and has very troubled amur relations with his colleague. All this does not prevent him from masterfully disclosing the most complex and tangled loud criminal cases, for which, besides him, no one more risks to take.

The history of the series develops around three Suvorov graduates - Ilya Sukhomlin, Stepan Perepechko and Alexei Syrnikov, who entered the Moscow Higher Military Command School at the end of the summer, where each of them is awarded the rank of junior sergeant. Along with the Suvorovites, graduates of ordinary schools, without a military education, called "schoolchildren" - Dmitry Krasilnikov, Gennady Varnava and Nikolai Kovnadsky, enter the school. The third side is made up of the so-called "army men" - Evgeny Bragin, Sergey Gonchar and Stepan Prokhorov - who have already served as conscripts in the army and have more practice than theory. Later, Maxim Makarov, transferred from St. Petersburg for a fight with a colleague, joins the main characters. Aleksey Syrnikov, meanwhile, is being transferred to the Ryazan Airborne School, which he dreamed about while still being a Suvorovite.

April 1959. Tanya Meshcherskaya, who grew up in an orphanage, goes to Moscow to her father, academician Viktor Ryabinsky. She has a letter with her and an antique brooch left over from her mother, which is being stolen. Vikenty is happy to find a daughter, as he loved her mother, but his wife takes Tanya with hostility. She tries to find out the details from Vikenty's sister, but she doubts that Vikenty is Tanya's father.

A film adaptation of the novel by Agatha Christie, "The Murder of Roger Ackroyd." The owner of the mansion, Roger Ackroyd, was killed in his own office. The investigation is conducted by two - a local inspector and Belgian detective Hercule Poirot. Everyone is suspected: nephew, household, servants, guests. Everyone has an alibi and everyone conceals something, but at the same time hopes for Poirot and a fair outcome of the investigation. All but the true killer. But Poirot is not in a hurry, he patiently accumulates facts, gets rid of contradictions, frees everyone from a burdensome secret and remains face to face with the killer, facts, logic and a difficult human feeling - disappointment ...

Karen Magikyan is almost 50 years old. He is the head of the family and the father of three daughters. At this age, people do not change. He has long formulated laws and rules by which he lives, and is not going to break anything. It seems to him that for the last 10-15 years he has not changed a bit, he has not aged a bit. Moreover, he considers himself to be quite a modern person, although he has a mobile phone with a black and white screen and no email. This, by the way, is especially annoying to him - why everyone is going crazy about these gadgets, iPads, iPhones. Why is the younger daughter, after returning from school, immediately goes to the Internet, and not kiss her father? To “communicate” is to sit at the table, drink wine and talk, and not stare at the computer screen and spoil your eyes. He does not understand modern relationships. How can a daughter stay overnight when they are not married? And he does not care about the assurances of his wife that "now everyone is doing this." Let everyone do that, but not in his family! He is Caucasian, he has principles! Karen - The Last of the Magikians. And not only because he has three daughters, and an heir at that age is clearly not foreseen. He is a representative of an endangered species of people who have never spoken on Skype, for whom a letter is a paper written in letters in an envelope, and most importantly, who do not bend under a changing world, because “now it’s accepted” and “you live in the 21st century ". Younger viewers should recognize their parents in him, older viewers should recognize themselves in him.

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Certain circumstances force the successful businessman Viktor to stay in a small seaside city longer than he had planned. It’s the New Year’s Eve. To “kill the evening”, the hero gets acquainted with a young salesgirl, Lyuba. Quite unexpectedly, they fall passionately and fatally in love… A lyrical variation on the theme of a gallant prince and a poor Cinderella, starring the inveterate lady-killer of Russian screen Sergey Zhigunov (“The Princess on a Bean”) and the young primadonna of the Aleksandrinsky Theatre Yuliya Marchenko (“Swan Paradise”), with the musical accompaniment of the famous Gypsy group “Loiko”.

Investigator Pavel Frolov gets into a car accident. After that, his life is torn into two parallel realities — in one of them his son Kirill survived the disaster, in the other his wife Svetlana. Every morning, when Pavel wakes up, he finds himself alternately, in reality with his son, then with his wife. In each of these lives, he tries to find out who or what is behind the accident in order to try to connect the two realities together. And at the same time, to return the respect of his son and the love of his wife, to whom he often preferred work before.

The 17-year-old Savva is getting ready to enrol at university. His parents go on vacation, conferring the responsibility for preparing the entrance exams onto the son. Savva finds a foreign literature teacher on the Internet site “Your Tutor”.

A person with amnesia writes down his memories in an attempt to reconstruct his life history.

The young and enterprising Muscovite Claudia, having accumulated decent capital, leaves the capital forever and goes to the Russian outback in order to establish civilization there. She starts by opening a casino in a small urban village. Provincial residents greet the Moscow guest coldly, with distrust and apprehension. And those who have been deprived of income by the opening of the gambling house enter into an open struggle with Claudia. But the woman finds the strength to withstand, despite the machinations of enemies and failures in her personal life.

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Two young brothers in contemporary Russia are reunited with a father they know only from an old photograph after his sudden return from a long absence. With their mother’s reluctant consent, they set out on a remote trip that quickly becomes an uneasy test of authority, trust, and masculinity. As the journey moves deeper into the wilderness, the fragile bonds between father and sons are pushed to their limits.

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A documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.