Shin Chul

A dweeby, mild-mannered man comes to the aid of a drunk young woman on a subway platform. Little does he know how much trouble he’s in for.

A 1990 Korean film about a woman who gets involved in a court case after retaliating against her attackers.

Tae-gyu and Ji-hye get married. Two young lovers dreamed of the ideal married life which each had respect for each other. But honeymoon is soon over as each comes to realize that the other isn't quite what they thought.

Between her and me .. always 101cm Koo Young-seop (Moon Seong-geun), the chief of the construction company, has seen the line 99 times, but he is a bachelor who is retired. However, Young-seop sees the cellist garden (Kim Hee-ae) and Zen for the 100th time, but knows that she is too undeserved of her, but makes every effort to open her heart. The garden, which could not escape the shadow of the dead fiance, begins to open his heart to sincere and pure love. However, a man named Joon-ki appears so much like a dead fiancé who Garden cannot forget.

Sun-ju and Jin-woo plan a romantic second honeymoon to celebrate their anniversary. Sun-ju accidently comes into possession of a doll filled with smuggled microfilm. She becomes the target of foreign agents who follow the couple throughout their tour of Australia.

Gian, a young man saves Sisy, a woman who makes drunk, depressed and wants to kill herself at a train station at night. Their love story started from this.

Divided into chapters, the documentary examines Jang's career and films from many different angles and includes the voices not only of those who have worked with Jang but also of numerous ordinary Koreans who have been affected by his work. Individual chapters are devoted to such topics as Jang's idiosyncratic hairstyle and the controversy surrounding his previous feature Lies. The documentary tries to place Jang and his work in the widest possible social context, not only in the context of Korean cinema. At its heart is a series of remarkably candid and revealing interviews with Jang himself.

Robertas sees a drunk, cute woman standing too close to upcoming bus and pulls her back. Robertas develops a deep sense of responsibility for her which enables him to tolerate the girl's abuses.