Production
Venice, 1596. Bassanio begs his friend Antonio, a prosperous merchant, to lend him a large sum of money so that he can woo Portia, a very wealthy heiress; but Antonio has invested his fortune abroad, so they turn to Shylock, a Jewish moneylender, and ask him for a loan.
A seamstress gets tangled in her own thread after stealing a briefcase from a drug deal gone bad. In an escalating game of cat and mouse, her different choices lead to drastically different outcomes along the way.
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
In documentary style, Al Pacino tells the story of how he came to stage a production of Oscar Wilde's Salomé. He travels to the Mojave Desert ("dessert?"), to Ireland and the United Kingdom to show who Wilde was as a private person and as a writer.
An documentary recounting the story with interviews of cast, crew and production team and including producer Barry Navidi, who had worked for six years to get Divine Rapture made.
Mr Corbett is a cruel employer to Ben Partridge. One night on New Years Eve Ben is sent out to deliver some medicine. Along the way he wishes his master was dead, little knowing that the man he is delivering to is the Collector of Souls.
An aging king splits up his kingdom for his three daughters to govern, but is misled about their affections and driven into exile.
