Acting
In late 1920s Berlin, Franz Biberkopf is released from prison and vows to go straight. However, he soon finds himself embroiled in the city’s criminal underworld.
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After his release from prison, ex-convict Franz Walsch finds his way back into the Munich criminal underworld. His attentions focus upon two women, Joanna and Margarethe, as well as upon Günther, his friend who earlier shot his brother.
A group of outlaw-style thugs lives on a house boat. They recruit a new member, a girl. Because she steals money from their boss they decide to flee, but they need to make money first.
Ricky returns to Munich from Vietnam and is promptly hired as a contract killer.
The last years of Heinrich George's life are reconstructed with documentary footage and play scenes. His son Götz, named after Heinrich's favorite role of the peasant war hero from Goethe's play "Götz von Berlichingen", plays scenes from his father's life and allows his enormous creative power to shine through. Nothing is left out, nothing glossed over in this story of a man with many facets. Götz George, one of Germany's best-known actors, is at the center of this homage, which is also a reappraisal of the contradictions in his father's life. As the only follower from the acting profession, Heinrich George had to pay with his life. He was not officially rehabilitated until 1998.
