Nikolai Cherkasov

No description available.

This 1928 film features stylized cinematography and actors from the Moscow Art Theater in a fiction story based on the life of Jewish Labor Bund member Hirsch Lekert who attempted to assassinate the Vilna governor in 1902 to avenge the flogging of workers who participated in a May Day rally.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

A man discovers that he's not the father of his wife's baby.

A Soviet comedy about a charming womanizer.

Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so amused that she invites them to visit the Duke to provide some merriment at court. Among other deeds, Don Quixote frees some prisoners, who then turn upon him, and Don Quixote attacks a windmill that he imagines is a monstrous wizard.

When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over an eastern Russian city, Alexander stages his stand at Novgorod, where a major battle is fought on the ice of frozen Lake Chudskoe. While Alexander leads his outnumbered troops, two of their number, Vasili and Gavrilo, begin a contest of bravery to win the hand of a local maiden.

After news of the future birth of a child, Sergei split from his wife, Natasha, and settled in the company of young architects, who occupied a room in a big house. As a result of a chain of unforeseen events, brought by one of the tenants found a child, Sergei finds a newborn son. Friends are doing everything possible to find a lost mother, but Sergei does not disclose their affiliation and tries to give the baby the wrong hands.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Saint Petersburg, 1858. A group of composers known as The Five meet at Balakirev's. Young Modest Mussorgsky, both a civil servant and a musician, has become a fixture there. He tells about the first opera he plans to compose. Then he goes to the country where he discovers the lowly conditions of the peasants and the bloody conflicts with the rich land owners. He works on Gogol's 'The Marriage', trying to render into music the natural accents of the play's naturalistic dialogue. But his efforts do not pan out. On the other hand, he starts writing his opera on the story of Boris Godunov. The Marinsky Theatre refuses to stage the work. The Five, and Mussorgsky among them, are libeled and the group starts disintegrating. When 'Boris Godunov' is finally performed in 1874, it is a popular success.

A 1949 two-part Soviet epic war film about the Battle of Stalingrad.

Paris, the middle of the XIX century. Young Marius Petipa is going on a long journey to St. Petersburg, where he is invited to become the first dancer. He doesn't know that his life will develop both happily and dramatically, and his work will be the glory and pride of Russian ballet.

Film-Concert. The program includes scenes from plays, ballets, and operas; folk songs and romances; B. Eder with a group of trained lions; S. Obraztsov's puppet theater; and dances by soloists of the I. Moiseyev Ensemble. The host is Nikolai Cherkasov.

Historical-revolutionary film about Lenin’s activities in the first years after the Great October Revolution in Russia.

Biographical film about the composer Rimskiy-Korsakov. Belongs to the gallery of costume historical and biographical films of the postwar cinema of the Soviet Union. The film tells about the last two decades in the life of Russian composer.

A film based on the life of the Russian scientist, Klement Timiriazev, who taught at Cambridge and Oxford and was awarded the Newton Mantle for his work. Timiriazev, one of the few outstanding Russian scientists who (publically) backed the Soviets in their revolutionary campaign, was later elected a delegate to the Leningrad Soviet by the sailors of the Baltic fleet. There he denounced his fellow scientists for failing to aid the Soviets and predicted that such aid would come.

Renowned scientist Dronov works in Novosibirsk on the creation of ultra-modern engine. He has a bad heart, he was afraid not to have time to finish the job, and test engine at a factory in Moscow, unfortunately, is not the first time passes unsuccessfully. Dronov abandons the rest of the work, even the leadership of the Institute entrusts to his disciple Morozov.

The main character, the chairman of the district revolutionary tribunal, Comrade Kovalev, believes that a true revolutionary should have only one love - revolution. And women, especially attractive ones, are a great hindrance to Comrade Kovalev. But he is unable to connect theory with practice. Love overcomes the ridiculous prejudices of the hero, who along the way achieves his real victory - the defeat of the White bandit gang...

The chairman of the factory committee of one of the Leningrad factories, Fyodor Gorbachev, a weak-willed man who was unable to completely overcome his petty-proprietor psychology, is visited from the village by his brother Sergei, a former kulak and trader. His arrival brings quarrels and discord into the friendly Gorbachev family. At Fyodor's request, the factory director hires Sergei, but demands a favor in return.

A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness.