Rudolf Blümner

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

The story of the Renaissance-era Swiss physician, alchemist and astrologer Philippus Aureolus Theophrastus Bombastus von Hohenheim, better known to the world as Paracelsus.

The famous actress Paula Corvey loves the young racer Werner Bruck. One day, Paula's 18-year old daughter returns unexpectedly to her mother. She was living with her father, Paula's ex-husband, but she's run off to Paula, because daddy wouldn't let her become a hot-to-trot actress like mama. Paula just doesn't know what to do. That she's the mother of a grown up girl is something she desperately wants to hide from Werner (no, honey, I swear: you don't look a day over 17 ... uh huh). So, to cover her little horny tracks, she tells Werner that Eva is her cousin. The plan backfires (ha ha!), when Werner falls for the "cousin". When Werner finally discovers the truth, a conflict develops (duhh!), which can only be solved by Paula finding a man her own age (thank you).

German chancellor Otto von Bismarck promises the dying emperor Wilhelm I. to be loyal to his grandson. But the gap between young Kaiser Wilhelm II. and old Bismarck is rapidly widening. It soon appears that an era is coming to an end.

A man must choose between his mother and his wife as the rivalry ratchets up throughout New Year's Eve. Like Pick's previous films, New Year's Eve does not use intertitles.

For many years, Ulrich, the hereditary forester, and Steinbach, the landowner, were the best of friends. But one day, this friendship is put to a severe test: Driven by financial need, Steinbach wants to have the forest cleared, which Ulrich condemns as brutal exploitation of nature – and therefore refuses to grant permission for the project. To clear the way for his plan, Steinbach ensures that Ulrich is dismissed as forester. When, a few days later, the dam built by Steinbach is blown up and the floodwaters inundate Steinbach's sawmill, suspicion immediately falls on Ulrich. The hereditary forester is ostracized, threatened, and even fears for his life.