Julia von Heinz

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

The Berliner Abendschau is the news magazine for Berlin.

No description available.

A music journalist accompanies her father, a charmingly stubborn Holocaust survivor, on a journey to his homeland. While she's eager to make sense of her family's past, her dad has an agenda of his own.

During a robbery at KaDeWe, of all places, a magical encounter occurs between Hedi, a saleswoman in the textile department, and Fritzi, the daughter of KaDeWe owner Adolf Jandorf. It is love at first sight: Against all social and family odds, the two disparate young women begin a passionate relationship. At the same time, Fritzi's older brother and war returnee Harry is fighting for his father's recognition as the new junior manager of KaDeWe - and against his own despair. At Harry's side is Georg, a general manager placed in front of him by his father, who has worked his way up from a poor background to the top echelons of KaDeWe. Georg, of all people, will play a decisive role in the future fate of the department store...

The summer break is over and the twins returned to Lindenhof. That has now changed a lot. Because Mrs Theobald had to travel, Mademoiselle Bertoux has taken the lead.

Based on the book "Ich bin dann mal weg" by Hape Kerkeling where the author describes his journey on the Way of St. James, a pilgrimage route, and the people he encounters there.

Five German directors celebrate the influence that famed filmmaker Rosa von Praunheim has had on their careers in honor of his 70th birthday. After discussing Praunheim's inspiration, each protégé presents an original short drawn from the experience.

Luisa, a 20-year-old law student, joins a cell of the Antifa group when she and her friends Alfa and Lenor get to know about an upcoming attack planned by a local neo-Nazi gang. As they try to find out more, the three youngsters delve deeper into the scene linked to right-wing movements and their political connections, to the point where they will understand how much they are willing to go further, in order to defend their own beliefs.

As a nun, Katharina von Bora lives the life destined for her until she comes into contact with a completely new world of thought in the early 20s through the writings of Martin Luther. She flees with some of her co-sisters and comes without legal status, without income and rejected by her family to Wittenberg, where she meets Martin Luther personally. Katharina decides to marry the reformer and, as his wife, becomes a respected housekeeper, an equal interlocutor and the mother of their children together.

Nicky's engagement celebration turns into a search for her pill-popping, ex-punk rocker birth mother, Charlotte. Together, the two embark on an anarchic mother-and-daughter journey to reconnect.

A retelling of the events that led to the death of Bernd Juergen Brandes. Brandes responded to Armin Meiwes' Internet ad in 2001, where Meiwes indicated that he was looking for a man willing to be killed and eaten.

A German girl travels to Israel to help people with disabilities, where she learns a lot about the role of her grandparents in WWII and meets a man who wants to move to Berlin.

Carla, the runaway with high aims. Lucie, the street girl. Interchanged identities and a shared baby. Collage of a fateful year.

A collective documentary film, from five european directors asked to witness the revolutions and dramas caused in their own countries by the pandemic. Among them, “Two Fathers”, directed by Julia von Heinz (20’). After the death of his father, Hans-Michael von Heinz, the director finds out the truth about her parent true sexual identity. In order to know more, she starts emailing persons who got to know him over the last years, among them his closest friend, director Rosa von Praunheim.

Three noble single women live between traditional demands and everyday life, between a castle and a prefabricated building, torn apart by their parents' expectations and their own deeply internalised demands. They are outsiders in the microcosm of the German aristocracy. If they want to continue to belong to the aristocracy, they have to marry an aristocratic man or stay single, because within the aristocracy the "male principle" applies.

Three women of one family must learn to break their old patterns in order to find themselves.

Julia von Heinz’s 80-year-old father dies completely unexpectedly. From his estate, the filmmaker discovers that the former reserve officer was homosexual and had led a double life. The director seeks out Rosa von Praunheim, an icon of the gay movement, to talk about it. The outcome is the portrait of an extraordinary, lonely man.

No description available.

No description available.