Hellmuth Costard

The life and music of Johann Sebastian Bach as presented by his wife, Anna.

In this film, we follow footballer George Best over a 90-minute match against Coventry City, which took place on 12th September 1970. There is no soundtrack and no interview overlaid, just Best doing what he did best - playing football.

ECHTZEIT by Hellmuth Costard and Jürgen Ebert is a film like thoughts. About reality and the digitalized world. A film about Ruth and Georg, who may no longer exist. A film about "imaginary cameras", synthetic landscapes, about (flight) simulators and Pershing II.

The production of a film requires recording equipment and financial resources, if nothing else. Hellmuth Costard places these basic prerequisites at the centre of his film: using a Super 8 camera system he developed, he films himself as he tries to raise funding for his film project. This creates an unconventional experimental setup, which reveals how the economics, politics, technology, and aesthetics of filmmaking relate to each other – with the ‘great’ Godard being called up as a kind of chief witness.

A documentary about the 'critical mass', the Film Coop, a group of young filmmakers in Hamburg during the 1960s - a small group far from the Mainstream or the New German Cinema.

The film begins with the Christmas preparations, so to speak, and ends with the first petrol price increase of the new year.

Four young people from the former GDR want to start doing meaningful things. In spite of adverse circumstances they start the construction of an environmentally friendly solar power plant.

Hollywood opening credits with crashing sea waves and expectant orchestral music opens the film. Then the viewer's gaze is carried through a room. In a mirror you see for a moment a naked girl holding the recording subjective camera under her arm, she pulls open a drawer, puts the camera inside and closes the drawer. The viewer's gaze and thus the viewer himself is caught in the darkness.

The drawings on which the series is based were created in 1969 and served as a template for a slide series in 1970. During its screening, this is interrupted by the film "Percy McPhee Agent of Horror (6th + 7th episode)".

"Expropriated Springer!" is the motto of the extra-parliamentary movement after the murder of Benno Ohnesorg in 1967. In many cities, demonstrators are trying to prevent the delivery of the Bild newspaper. The film documents the siege of the Springer House in Hamburg in 1968. The police reacted to the protests with unprecedented brutality, leading to a further radicalization of the movement. Like the birth of the Baader-Meinhof group.

An attack on a piece of reactionary German legislation discriminating against young film directors. The film features a head-on, close-up shot of a penis ‘mouthing’ the parliamentary defense of the law by its author. A landmark in political pamphleteering, the film was selected for the 1968 Oberhausen International Short Film Festival by a committee of leading German critics and promptly banned by the city government, causing the withdrawal of almost all German directors from the festival and a national scandal. The title satirically refers to the official certificate of ‘Particularly Valuable’ given each year to the best film shorts by an Establishment selection.

The movements, routines and gestures that compose an ordinary day in the life of an ordinary housewife, recorded in the minutest every more oppressive details, become a sort of catalyst by the unique and simple means of having the woman played by a man with long hair and a slightly androgynous look.

The film is based on a variety of reflections on politics and labor, economy and technology, identity and advertising.

A young man decides to leave the country after the 1965 West German parliamentary elections. He hitchhikes out of Hamburg, but makes it only as far as the Lüneburg Heath. There, he meets a woman driving a Jaguar, protects her from an “attack” by a light sport airplane and then helps her sell her car to a shepherd. When doubts arise about the buyer’s solvency, the man and woman take the train back to Hamburg …

A Super-8 film in color with sound on magnetic stripe.

A group of indispensable works in the Ruhr area on the development of a solar power plant. At first she only finds attention through a former KGB agent who believes that the struggle of the political systems is further fought in the hidden. His views are initially smiled at, but when a young spy causes confusion, there is a feeling of happiness: the apparent paranoia of the Russian friend has tangible causes, and the work of the group is more than just evident.

No description available.

A short gangster film with Godard clichés, which are used as quotations.

Documentary film about a research project that is promising at its time, with which the prerequisites for the production of a new generation of computer modules should be created. Especially in the case of common user computers, the introduction of the "X -ray lithograph" in the semiconductor technology can lead to an even unmistakable upheaval. The film describes the research work and reflects on the importance of such a development insertion. An unusual documentation about a work that has little external in itself. - from 16.

Two aspiring filmmakers walk through Hamburg with a camera operator and a sound operator. From the time they get out bed to their encounter with a production manager, they are harassed by an intermittent white dot.