FEEL IT.STREAM
Marie Kreutzer

Marie Kreutzer

Directing

Biography

Marie Kreutzer is an Austrian filmmaker. She studied at the Vienna Film Academy with Walter Wippersberg. Her films have been screened at the Berlin International Film Festival, 70th San Sebastián International Film Festival, 2022 Cannes Film Festival, 2022 Toronto International Film Festival, and 2022 New York Film Festival. Description above from the Wikipedia article Marie Kreutzer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Corsage
6.1

A fictional account of one year in the life of Empress Elisabeth of Austria. On Christmas Eve 1877, Elisabeth, once idolized for her beauty, turns 40 and is officially deemed an old woman; she starts trying to maintain her public image.

Corsage

2022
Gentle Monster
N/A

After relocating with her family to the countryside, a renowned pianist uncovers a life-shattering truth that forces her to confront the complexities of love, trust, and deception.

Gentle Monster

2026
What We Wanted
5.8

Alice and Niklas are a young couple who's biggest wish is to have a child of their own. After several failed attempts they decide to go on a holiday in Sardinia to clear their minds. There they meet a family from Austria that seems to have everything they ever wished for. But appearances can be deceiving...

What We Wanted

2020
Vier
4.6

Flooding in Krumau am Kamp: three infant bodies, two girls and a boy, are found in the basement of the Trummler family's farm, which has long been uninhabited. The children were suffocated immediately after birth and buried on the spot. A dark reputation precedes the Trummlers – the word "cursed" is used more than once, after the daughter's disappearance without a trace...

Vier

2022
Cure: The Life of Another
5.8

Teens Linda and Eta are inseparable friends, though they have plenty of disagreements, but one horrific argument has unexpected consequences.

Cure: The Life of Another

2014
Fraulein
5.5

Ruža left Serbia, her country, over 30 years ago and lives in Zurich. Her daily life is a string of repetitive moments until, one day, Ana arrives on the scene and upsets Ruža's painstakingly organized world. A subtle friendship develops between the two strong willed women.

Fraulein

2006
Die Notlüge
6.3

Hubert and Helga are separated. Hubert has not yet told her about it in order to spare his heart-broken mother. On her 80th birthday he finally wants to tell the truth. The feast takes its course, until at the end all are exhausted, hurt, drunk and desperate and even do not know exactly what they really want. And then, at the right moment, Hubert takes the floor and - lies.

Die Notlüge

2017
The Fatherless
5.1

They never expected Kyra to turn up again. The two brothers and their sister, brought together when their father dies, are stunned by the appearance of their sister.Kyra suddenly vanished over twenty years ago during the breakup of the hippie commune where they were all born. She is like a stranger to them now... but when she discovers that her very existence has been kept secret, she starts to uncover old mysteries. And soon all the brothers and sisters find themselves unearthing the roots of their childhood memories they had suppressed in order to survive. In her debut feature film Marie Kreutzer embarks upon an intriguing and disturbing journey into the past, a gripping study of belonging and solitude, bonds and freedom. Written by Novotny & Novotny Film

The Fatherless

2011
The Ground Beneath My Feet
5.7

Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a business consultant. But when a tragic event forces the past back into her life, Lola's grip on reality seems to slips away.

The Ground Beneath My Feet

2019
We Used to Be Cool
5.2

Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.

We Used to Be Cool

2016
Acht
7.8

A single long-range shot shatters the quiet of a country morning, leaving a beloved doctor dead on the steps of his family home. In the aftermath, a grieving widow and her withdrawn son cling desperately to the safety of routine. Meanwhile, a weary detective – mid-divorce and living out of a suitcase – is called to investigate, joined by a young colleague still reeling from a recent trauma.

Acht

2025
Cappy Leit
8.0

Marie Kreutzer's film avoids stereotypes of teenagers. Instead of proceeding from the assumption that having problems is simply part of being 14, the protagonists are shown in the context of their everyday lives. The camera follows Theres, remaining close to her body, her gestures and the objects of her attention.

Cappy Leit

2001
Gruber Is Leaving
6.3

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…

Gruber Is Leaving

2015
White Box
N/A

Iris, a 28-year-old studentin a big city, recently left by her boyfriend and too poor to pay her rent, begins to work for a strange old man. He wants Iris to precisely describe the trivial belongings of a dead woman, packed in white boxes, to keep the memory of the woman alive. Iris is disgusted and fascinated at the same time; reflecting on an invisible person's traces, she slowly becomes aware of her own wounds.

White Box

2006