
Manuel Gutiérrez Aragón
Directing
Biography
Manuel Gutiérrez Aragón (Torrelavega -Cantabria-, January 2, 1942). Spanish film director, screenwriter and writer. Graduated in Philosophy and Letters, in 1970 he graduated as a filmmaker at the Escuela Oficial de Cine de Madrid. In 1973 he debuted as a director with Habla, mudita and won the Critics' Prize at the 1974 Berlin International Film Festival and an Oscar nomination. Between 1974 and 1975 he wrote the screenplays for Las truchas, Furtivos, and Las largas vacaciones del 36 and established himself as one of the best directors of his generation with Camada negra (1977), Sonámbulos (1977) and El corazón del bosque (1978).
Known For

Simón transports illegal immigrants to New York, leaving them to their fate. When he is discovered by the coastguard, a young sailor, named Andrés saves his life. But when Andrés falls for Marie—a young protegée of Simón's—conflict erupts.
Virgin Rose

In a restaurant they're preparing a grand banquet in honor of a sports association of anglers, but several circumstances seem to have conspired to boycott the event.
Trout

An aspiring teacher (Eduardo Noriega) falls for a maid (Ingrid Rubio) in a village where people claim they see the Virgin Mary.
Visionarios

Miniseries version of the first half of Cervantes' famous novel.
Don Quijote de la Mancha

Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.
Demons in the Garden

After Pablo runs away from being shackled in a cabin, he spends the winter in a cave and emerges as a bear. With the help of a writer, Pablo tries to renter human society.
Ferocious

Set in a crumbling Spanish mansion, this gloriously comic and gothic story follows the fortunes of an innocent young priest as he enters a world of moral decadence, sexual intrigue and corruption of an aristocratic family in nineteenth-century Galicia.
The House of Ulloa

Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.
Cuernos de mujer

Tatin is a young man of fifteen years old who joins a violent group of extreme right-wing ideology, led by Blanca, a mature woman of influential personality.
Black Litter

An intrigue based on a failed relationship with touches of dreams and magic filmed on the streets of Seville.
Misadventure

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
Berlanga!!

Three sisters leave Cuba in search of a better life in Madrid. While there, they encounter, among other things, other Cuban expatriates.
Things I Left in Havana

Ana works side by side with her mother Maria Rosa in the fight to save the anti-Franco militants from the death penalty during the process of Burgos. Ana's mother is a former actress and Ana, her mother and a few other actors prepare an act of protest in the theater where an international festival on Strinberg is being held. But there are more things in Ana's life. The mother lives with her uncle, the brother of his father, Norman, an old doctor of devious methods. Helped by Fatima, an old nurse who loves her father, the doctor will try to experiment with Ana's ideas and feelings as well
Somnambulists

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.
The Memory of Cinema: A Film About Fernando Méndez-Leite

After the civil war, Rosa, a beautiful and hard worker woman falls in love with a sharpener who turns out to be a con man. When she becomes a widow, she emigrates to Madrid with her daughter beginning to work as a nurse in the home of Don Pedro, an influential food manager.
Half of Heaven

Ramiro's grandfather is on vacation in a hostel in the mountains with his family. Decides to send theirs to Madrid and stay in a shelter, saying his health requires. But the reason is another ...
Speak, Silent One

Federico, an executive of national television, begins to suspect that his wife Elena, an actress who retired prematurely after marriage, is cheating him with another man. The symptoms are that Elena sighs, looks far into heaven and is aware of the exact time a comet passes. In other words, she expects her most beautiful night.
The Most Beautiful Night

A young Catholic girl takes viewers through a changing Spanish political and social landscape as she develops from her confirmation day to adulthood. Her first experience with the real Spain comes when her Jewish godfathers cannot come to her confirmation. One of the godfathers, using a ring, poses an early challenge to her innocence that puts her in danger. He later returns, indirectly introducing her to a new boyfriend. If he is one of the symbols for Jewish life under Franco, or for a Judeo-Christian interaction, that interaction is complex. The young woman encounters different lovers as she grows into adulthood, but at the same time she is burdened with financially supporting her father and his own rather decadent lifestyle. Again, this difference in generations could be understood as a difference between the "new" and "old" Spain; it is up to the viewers to interpret the story elements as they decide.
Maravillas
No description available.
Andalucía es de cine

The relationship between a poacher and his domineering mother in rural Spain is upended when he falls for an escapee from a reform school.