Arpad Bondy

Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.

Lola is part of “The Migrant Workers”, a Turkish drag queen troupe who perform to great acclaim. Lola’s gay little brother Murat, on the other hand, is just beginning his search for an identity. An intense family drama set in “Anatolian” Berlin-Kreuzberg.

The five-month-old baby of impoverished tribal woman Jhumpa Mahato is stolen. Two brothers, Gautam and Raman, who witness the kidnapping, try to help her and become embroiled in the complexities of the investigation.

No description available.

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

A commissioned work for a television series on WDR, A House for Us. FROM THE FAMILY OF REPTILES and THE ISLAND are a complete program in two episodes. After all with Michael Ballhaus as the cinematographer. Ute (Katja Wulff), an 8 year old girl, constantly runs away from home and the youth center to escape into her own world. She spends many hours at the zoo and especially in front of the crocodile compound. Monika Brehm (Lisa Kreuzer), the kindergarten teacher, tries to find an entrance into Ute’s world. She realizes that her escapes are a form of withdrawal from her parents and the grown up world.

This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".

Documentary about the everyday life of a bicycle courier in Berlin in 1995.

24-hour television documentary about Berlin and its inhabitants, reporting in real time on the everyday lives of more than 50 protagonists from a wide range of professions, social classes, religions and ethnicities.

Microsoft is generally considered the dinosaur of the digital age. However, the US Corporation is more powerful today than ever before. The power of its monopoly is nowhere more apparent than in Europe: from Finland to Portugal, from Ireland to Greece, the information technology of every state administration and its institutions (military, police, fiscal authorities etc.) is based on Microsoft programmes. Since digital systems are constantly expanding and increasing in importance, countries are becoming more and more dependent on this single company. This dependence causes continually rising costs and prevents technical progress in state authorities. It systematically undermines European procurement and competition laws, it leads inevitably to the company having an overwhelming political influence, while it exposes state IT systems along with citizens’ data to a high technical and political security risk. Is Europe’s digital sovereignty at stake?

Documentary portrait of the Austrian farmer's son and village photographer Martin Humer, who as a "porn hunter" leads a dubious campaign against porn bars, peep shows and sex stores. His methods have made him enemies, including his worst adversary, a porn publisher. The film shows the contradictions between morality and fanaticism, as well as the Janus-faced nature of pornographic consumerism and the inhuman pleasure industry.

The retired life in Florida rescued, the Epstein brothers do again what they do best and have practiced for a lifetime music. A Tickle in the Heart captures the past, present, and future of the remarkable Epstein brothers - Max, Julie and Willie - Klezmer music legends on a joyous international comeback tour. This is a cinematic party with three of the funniest men in the show business. The Epsteins are natural performers, and their sense of life, music and family as they tour through places they love.

The astonishing life-story of “Lili Marleen“ composer Norbert Schultze.

Wundbrand is a document of war and life. Through images, conversations, and a sound collage, the film reveals the reality of the destruction of Sarajevo and its inhabitants.

Late in the 1980s, two documentary film makers found six German men, all in their 60s and 70s, who had been soldiers in the German invasion of the USSR in 1942. Each carried an 8mm camera into battle and they still had their film. "Mein Kreig" alternates between interviews with these older men, now apologetic, philosophical, or defiant about their participation, and the footage they shot. It's chronological: basic training, the train trip East, roof-top vistas of war-torn Warsaw, peasants in Belarus, the downing with carbine volleys of a Russian plane, winter, a holiday at the Black Sea, mud, impassable roads, death, destruction and retreat. "Home, that was the front," one says.

Harald Schumann talks to people from every walk of life to understand the situation in Greece. From ordinary shopkeepers to people from within the Troika.

In rural Russia, children convicted of theft, murder and rape are sent to a home for delinquents. Without the outside world's pressures, they're finally allowed to act as children, but for some of them, this new life proves to be a challenge. This documentary tells the stories of several of these adolescents, who must endure separation from their families and who, upon release, are unlikely to be forgiven for their crimes.

About the German artist Käthe Kollwitz (1867-1945) who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. She died at Moritzburg, near Dresden, in April 1945, shortly before the end of WWII. As the film begins she is an old woman in the last months of her life, contemplating death. Using words taken from her diaries and letters, she looks back over her life and work.

No description available.

The year is 1978. Hartmut Geerken, director of the Goethe-Institut in Kabul, is on a mission. “We cannot change society, but we can change the landscape,” he says—literally. A trickster, a Don Quixote, Geerken approaches cultural work with playful defiance, forging deep mutual respect with a land foreign to most Europeans. The film follows him pushing a grand piano on a handcart for an impromptu concert with Afghan and German musicians, visiting a village artist, and meeting a famed tabla player—illiterate, yet musically eloquent beyond words. What begins as a whimsical journey becomes a poignant love letter to a country on the brink of irrevocable change—lighthearted, yet laced with melancholy.