Billy MacKinnon

Series of single made-for-television dramas.

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

Manchester is a struggling photographer with charm to spare who falls for Noon, a sweet but spunky woman who works as a taxidermist. Noon is also drawn to Manchester, and together they enjoy a wildly enthusiastic sexual relationship that reflects their innocent but deeply passionate love for one another.

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

The story is set in Palestine in 1947, during the British mandate period. The Zionists are fighting for the establishment of a Jewish state, and four comrades in arms pressure the young Elisha to overcome his moral qualms and fully commit to the armed struggle.

Three teenage brothers, gang-member Bobby, troubled mama's boy Alan and self-assured prankster Lex, reside in a downtrodden section of Glasgow, Scotland, circa 1968. But while Bobby and Alan are beginning to experience the power of raging hormones, the story focuses on Lex, who begins a downward spiral after he accidentally shoots the leader of Bobby's gang. Lex's cockiness and immaturity unfortunately prevent him from understanding the effect his subsequent crimes will have on both himself, and on those around him.

Ann (Kerry Walker) cleans for a living. She confronts problems like a vacuum cleaner sucks up dirt from the carpet. She shares everything she has with her two moody children (Noah Taylor, Sarah Hooper) and her equally erratic neighbours. She also shares everything her rich and constantly out-of-town employers have. While Ann vacuums her clients’ penthouses, her friends enjoy the million dollar views, luxury appointments, home gyms, cocktails by the pool - the things they have always wanted, but could never in their wildest dreams afford.

When he is released from a young Offender's Institute, Bobby Brewer a wayward 16 year old, is forced to take to the road with his errant troubadour father, Ronnie.

A privileged music student and an off-the-rails youth share an unlikely moment of intimacy with a violin.

The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.