Herman Wouk

Four panelists must determine guests' occupations - and, in the case of famous guests, while blindfolded, their identity - by asking only "yes" or "no" questions.

Following the attack on Pearl Harbor, the extended Henry and Jastrow families navigate thevpersonal, social and political impacts of World War II, including the Holocaust, the Battle of the Bulge, and the Pacific theater.

Against the backdrop of world events that led to the Japanese attack on Pearl Harbor in 1941, Victor 'Pug' Henry is a career naval officer who, along with his family, learns to navigate the waters of his dangerous times in the late 1930s.

Ford Theatre, spelled Ford Theater for the radio version and known as Ford Television Theatre for the TV version, was a radio and television anthology series broadcast in the United States in the 1940s and 1950s. At various times the television series appeared on all three major television networks, while the radio version was broadcast on two separate networks and on two separate coasts. Ford Theatre was named for its sponsor, the Ford Motor Company, which had an earlier success with its concert music series, The Ford Sunday Evening Hour.

When a US Naval captain shows signs of mental instability that jeopardize his ship, the first officer relieves him of command and faces court martial for mutiny.

Barney Greenwald, a skeptical lawyer, reluctantly defends an officer of the navy who took control of the Caine from its captain, Lt. Philip Francis Queeg, while caught in a violent sea storm. As the court-martial proceeds, however, Greenwald increasingly questions if it was truly a mutiny or rather the courageous acts of a group of sailors who could not trust their unstable leader.

A full-length adaptation, originally staged as a play, of the court-martial segment from the novel "The Caine Mutiny".

An unknown Kentucky writer comes to New York and pursues fame and women.

While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie, he is an upper-middle-class New York Jew, but has fallen away from his roots, and Marjorie's parents object among other things to his lack of a suitable profession. Noel himself warns Marjorie repeatedly that she's much too naive and conventional for him, but they nonetheless fall in love.

A pilot wants a life of ease, flying for drug smugglers and looking the other way until his conscience is tweaked by a woman he has misused. The story unfolds in flashbacks as the pilot battles the storm and recalls his failures, including a love affair with the wife of his best friend.

Texas cattleman Opie Bedloe comes to Maine to visit his son Joe, a college instructor, and his wife Connie in the hopes of persuading Joe to give up his teaching career and come back to Texas and take over the ranch. When Opie finds out that Connie, who is expecting a baby, can not afford the steaks she yearns for on Joe's salary, Opie, who believes that pregnant women gotta have meat, arranges for the local butcher, Spangenberg to cut his prices in half (with Opie paying the difference) so that Connie can have the meat she desires.

When a US Naval captain shows signs of mental instability that jeopardizes the ship, the first officer relieves him of command and faces court martial for mutiny.

When a US Naval captain shows signs of mental instability that jeopardizes the ship, the first officer relieves him of command and faces court martial for mutiny.

Adapted from the Pulitzer Prize-winning novel of the same name by Herman Wouk, The Caine Mutiny was brought to the stage of the Beijing People's Art Theatre in 1988, translated by Ying Ruocheng and directed by Charlton Heston. A play sustained entirely by dialogue, it is hailed as a model of "drama defined by speech". Powerful actors including Feng Yuanzheng, Wu Gang, Wang Gang and Wang Lei portray the heated verbal battles of the court-martial aboard the USS Caine. The film adaptation leverages the shift from stage space to cinematic perspective to present an intense confrontation waged with language as its weapon. Amid the trial, the complexity of human nature and the limits of truth are gradually laid bare, with a distinctive dramatic tension bursting forth beyond the stage.

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