Glenn W. Garland

Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school.

Emma Corrigan, a girl with a few secrets, thinks she’s about to die on a turbulent plane ride. She spills them all to the handsome stranger sitting next to her. At least, she thought he was a stranger. But then, her company’s young and elusive CEO, arrives at the office. It’s him. And he knows every single humiliating detail about her.

When Spence and Hogan graduate from college, life is bleak. They have to work for heinous divorce lawyers that torture them with gruesome jobs. Spence has a girlfriend from hell, and Hogan just wants to start his life. As luck would have it, these two young men are presented with an opportunity, and develop a club of young men devoted to older women, whom they call “Cougars.”

After falling victim to a humiliating prank by the high school Queen Bee, best friends and world-class geeks, Mindy and Jodi, decide to get their revenge by uniting the outcasts of the school against her and her circle of friends.

The gang from Dorm Daze is back, but this time they're on a cruise ship on a tropical voyage through the high seas. The cruise makes an educational stop at the island of San Paradiso, where the students are supposed to explore an important archaeological site. Things go from normal to crazy as their visit coincides with every other college's spring break. The moment the boat docks, classes are over! For these Billingsley students, their Semester at Sea will be an adventure no one will ever forget.

In the darkly phantasmagorical world of the carnival magician and sideshow hypnotist, the gruesome "illusions" of Montag the Magnificent are unique in that they seem to become retroactive reality long after the the tricks are done. Is it coincidence, or circumstantial evidence of the world's most diabolically ingenious murders? When an underground journalist begins to investigate the strange deaths, the truth proves to be far more bizarre and disturbing than anything he or his readers might have imagined.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.