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Aleksandra Denisova

Aleksandra Denisova

Acting

Known For

Fuse
7.6

Fitil is a popular Soviet/Russian television satirical/comedy short film series which ran for about 500 episodes. Some of the episodes were aimed at children, and were called Фитилёк, Fitilyok, Little Fuse. Each issue contained from the few short segments: documentary, fictional and animated ones. Directed by various artists, including Leonid Gaidai who presented his famous trio of Nikulin, Vitsin and Morgunov into the cast. It was called in USSR as "the anecdotes from the Soviet government".

Fuse

1962
Moscow Does Not Believe in Tears
7.6

Living together in a workers' dorm, Katerina and her friends are determined to make it in Moscow. But when a boorish cameraman forces himself on her, Katerina finds herself pregnant and alone as her friends move on. Twenty years later, Katerina is a factory director, outpacing her old roommates career-wise, yet still alone but for her daughter. Love seems possible again when she meets a genial mechanic.

Moscow Does Not Believe in Tears

1980
Key Witness
8.5

Vasily Kapluntsev, a burgher, died suddenly. Experts found poison in his body, and now his young wife Maria Kapluntseva is accused of murder. The main witness at the trial is the Kapluntsevs' neighbor, Vasily's friend and Maria's lover.

Key Witness

1969
Viy
6.9

A seminary student on monastery holiday kills an old witch in a remote village. The hag then transforms into a beautiful young woman whose dying wish is for him to watch over her wake for three nights. With terrors occurring and his faith waning, he reads prayers on the overnight watch and tries to survive the supernatural encounters.

Viy

1967
A Shot in the Fog
7.0

The very first work of a young scientist Igor Panteleyev caused a sensation. Not surprisingly, they are interested in foreign intelligence. Soviet security officers are taking measures to protect the scientist. The name of Panteleyev disappears from the pages of newspapers and magazines. The scientist is transferred to work in another research institute, changing his surname to Evdokimov. But due to chance, foreign spies found a researcher.

A Shot in the Fog

1964
Quiet Flows the Don
6.3

Based on the novel of the same name by Mikhail Sholokhov, about the fate of people broken by the First World War, the October Revolution of 1917 and the Civil War in Russia (1917-1922), about the collapse of the foundations and ideals of the Don Cossacks of Russia at the beginning of the XX century, about the personal tragedy of the protagonist — Grigoriy Melekhov.

Quiet Flows the Don

1957
A Weary Road
6.0

The station keeper Kruglikov was exiled to a remote Siberian village many years ago for shooting his superior, a general, who demanded that he go with him as a matchmaker to Kruglikov's favorite girl, Raya. A political exile is brought to the station. She turns out to be Raya. For a few minutes the former bride and groom were together, and then she was taken away again.

A Weary Road

1956
The Elusive Revengers
6.8

Danka's and Ksanka's childhood in the village brutally ends when their father is killed by a White Guard officer in front of their eyes. Seeking revenge, they join forces with Valerka, an intellectual from big city, and the gipsy Yashka, but before they can get close to their enemy they have to help their village and the advancing Red Army.

The Elusive Revengers

1967
Native Fields
6.5

November 1941. One by one, the men leave, leaving only old men, women and children in the village of Bykovka. Ivan Vybornov, the chairman of the collective farm, is also raring to go to the front, but, obeying party discipline, remains in the village and continues to skillfully and energetically lead the collective farm, mobilizing fellow villagers to send bread for the front and starving cities.

Native Fields

1945
Actress
5.4

Zoya Vladimirovna Strelnikova, a famous operetta actress, quits the theater and gets a nanny in a military hospital. There she meets the wounded major Peter Nikolayevich Markov.

Actress

1943
Come Tomorrow...
6.6

Frosya Burlakova, a talented young woman from a remote Siberian village comes to Moscow with dreams of becoming a professional singer.

Come Tomorrow...

1962
The Tavern on Pyatnitskaya
6.4

A tavern on Pyatnitskaya street is a meeting place for all kind of criminals. The only way for police to infiltrate the criminals is to send an undercover agent to the tavern.

The Tavern on Pyatnitskaya

1978
Rasplyuev's Days of Fun
7.0

A clerk fakes his own death in order to get a big fortune.

Rasplyuev's Days of Fun

1966
Nylon 100%
5.7

An adventures of a 100% nylon "fur" coat traveling between various people.

Nylon 100%

1973
Telegram
5.3

Six-graders Tosha and Kostya are trying to deliver the WWII telegram they accidentally find.

Telegram

1972
The Variegateds Case
5.7

Sergey's girlfriend desperately wants him to quit dangerous police job. But Sergey doesn't want to abandon his new case which proves to be quite difficult.

The Variegateds Case

1958
The Parasite
4.5

After a long absence from St. Petersburg, a young landowner Yeletskaya comes to her estate with her husband.

The Parasite

1953
The Wind
7.5

Filmed in the context of the fortieth anniversary of the creation of the Komsomols, the League of Young Communists, tells the story of three youth delegates from the League in 1918, who must make the dangerous journey to Moscow during the civil war to participate in League’s congress.

The Wind

1959
The Royal Hares
N/A

Based on the eponymous fairy tale by Peter Asbjørnsen, this is the story of a young man named Hans, who is given a magical flute that can shepherd any living creature. The King's daughter wishes for hares, and Hans agrees to help. However, soon he finds himself in trouble when the royal family wish for the flute itself. With quick thinking and a few tricks up his sleeve, Hans must navigate the whims of the royal court and protect himself from their avaricious intentions.

The Royal Hares

1960
Tashkent, City of Bread
5.5

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

Tashkent, City of Bread

1968