Nana Palsikar

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

An engineer's dream of making the perfect train for Indian Railways is given hope when the company commissions his prototype. After years dedicating himself to his dream, his family has suffered, but now he hopes to make it all up to them with the train's triumphant inaugural journey. However, an embittered fellow employee has other ideas.

A big-game hunter's son and a Hindu boy brave the jungle in order to deliver a baby white elephant to an Indian temple.

An air force pilot, upon returning home from war after being assumed dead, weds the woman he had long loved, unaware that she had been planning to marry his best friend.

Long lost siblings grow up on opposite sides of the law; the girl becomes a thief and the boy becomes a police officer.

A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer's own mentor, prospective father-in-law, and also the judge who presides over the case.

Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.

Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.

Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.

Retired Judge Shyamlal Kumar lives in a palatial home with his wife and only son, Arvind, who is now studying law and is on his way to become a lawyer, and after that a judge just like his dad. Arvind meets with beautiful Asha Shastri, both fall in love and would like to get married. Asha introduces Arvind to her astrologer dad, Chintamani, who instantly approves of Arvind; while both Shyamlal and his wife give their blessings and approval to Asha. But when Chintamani, whose predictions always prove to be accurate, sees a dark future for the young couple, withdraws his blessings and asks them not to marry each other. Spooked by this, Shyamlal and his wife also ask Arvind to marry someone else. But both Arvind and Asha believe that nothing bad will befall them, and they start living together without getting married. This raises ire in their conservative community and both are blacklisted.

Durgadevi rules her household with her brother, Makhanlan, and treats daughter Shanti worse than she treats servants; her other daughter is Roopa. When the younger women are approached for marriage, Durgadevi refuses.

Geeta (Waheeda Rehman) and Madan (Kamaljit) are in love with each other and want to marry. They meet each other's parents and subject to the matching of their astrological charts, their engagement is finalized. However, the pandit reports to Madan's mom that the marriage will be ill-fated, and bad things will result for Madan and his family. Madan's mom is opposed to the marriage, however, Madan and Geeta are not superstitious and are determine to marry each other. They do get married, and then one disaster after another befalls Madan's family, his dad, his sister, and his younger brother; which leaves both Geeta and Madan wondering if more disasters are to follow them, and if the Pandit's prophecy is indeed true.

A grieving widower has a complex relationship with his daughter, blaming her for his wife's death. As she grows up, a kind poet helps her heal and find happiness despite her father's conflicted behavior.

Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?

When Vishnu, a reputed judge, is mistakenly assumed as Anil, who is the murderer of Dhanraj, he decides to travel to Anil's home town and unravel the mystery behind it.

Karan hires Lata as his secretary and asks her to move to one of his cottages with her family. However, things take a turn when she is accused of stealing a valuable necklace.

Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.

Tells a heart-rending saga of an orphan girl, whose body and soul are divided between her aged husband and a young forest officer she had fallen in love with. Being the wife of the old Choudhari has she any right to expect love from another man forms the crux of the story.

Raju informs the police about a group of bandits, even though he is in love with the chief's daughter. The police set out to kill the clan and it is upto him to save the bandits and his love.

City-bred Ramu is involved in petty crime. When his close friend Gopal asks him to go to the village and look after his mother and sister Chanda, Ramu does so. After coming to know both mother and daughter, they decide to re-locate to the big city to be together with Gopal. In the process, Ramu and Chanda fall in love with each other. Chanda wants Ramu to give up his life of crime, but will his crime partners allow Ramu to lead a normal life?