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Arshak Khachaturian

Arshak Khachaturian

Directing

Biography

Arshak Khachaturian is an Armenian film director with a diverse background in fiction, documentary, and commercial filmmaking. He studied at the Yerevan State Institute of Theatre and Cinematography, where he refined his cinematic language rooted in human emotion, realism, and visual storytelling. Arshak has directed over 50 commercials for both local and international clients, bringing cinematic quality and narrative clarity to the world of branded content. Alongside commercial work, he has developed a growing body of documentary films focusing on social themes, cultural identity, and personal stories from Armenia and beyond. His most recent short fiction film, Innocent, reflects his signature style poetic realism, minimal dialogue, and emotional honesty. His documentaries and narrative films have been recognized for their authenticity, depth, and powerful visual composition. Through all his work, Arshak Khachaturian continues to explore the intersection of personal truth and cinematic form, crafting stories that resonate with audiences across cultures.

Known For

Innocent
10.0

Robert, an aspiring actor, accidentally meets Alan, a French embassy worker. Obsessed with moving to France the land he believes will define his artistic future Robert has already been rejected seven times. Blaming others for his failures, he decides to manipulate the situation: with a friend’s help, he pretends to be gay to gain Alan’s trust and use him to get a visa. Though suspicious, Alan falls in love with Robert. Meanwhile, Robert joins dance classes for his act and meets Anna, with whom he genuinely falls in love. Caught in a web of lies, Robert juggles both relationships, gradually losing himself. Alan becomes the most emotionally hurt, as he is deeply deceived. In the end, Alan shows maturity and compassion he forgives Robert and lets him go. Anna, however, never learns the truth.

Innocent

2019Movie
One Day
10.0

A single ordinary day in a big city. The heroine of the film is never fully revealed we see only her feet, her steps, the rhythm of her movement. Through this movement, we travel with her across the city, discovering fragments of her day. In the morning, she leaves her home and merges with the urban flow. She walks through the streets, passing dusty construction sites where the city’s constant transformation blends with everyday life. She goes to work, then stops at a small café, where the usual chaos continues. Traffic builds, people wait at bus stops, cars stand still, and the noise of construction fills the air. Within this environment, her steps move forward, becoming part of the city’s rhythm. By the end of the day, she meets her lover. Once again, we see only feet, small gestures, subtle movements. The film becomes a collage of urban moments a mixture of staged and documentary observation where the invisible presence of one woman connects the scattered pieces of the city’s life.

One Day

2017Movie