Millie Tirelli

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Alicia Florrick boldly assumes full responsibility for her family and re-enters the workforce after her husband's very public sex and political corruption scandal lands him in jail.

A young E.R. doctor who, after being wrongly blamed for a patient's death, moves to the Hamptons and becomes the reluctant "doctor for hire" to the rich and famous. When the attractive administrator of the local hospital asks him to treat the town's less fortunate, he finds himself walking the line between doing well for himself and doing good for others.

A fast-paced character-oriented story, focuses on the lives and loves of the young assistant district attorneys in New York, following their career paths as these passionate but naive ADAs are confronted with tough, emotional cases that challenge their limited experience – and force them to mature quickly or be overwhelmed.

Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?

Ray Pluto has many problems. He is satirized in the tabloids as the "loser cop." His partner is starting to seem suspiciously attracted to him. A pair of screenwriters across the hall keep bugging him for help. The superintendent of his building is stabbed by hoodlums hired by his own rebellious daughter. To top it off, a sexually aggressive chiropractor may just be Ray's undoing.

The "bad boys of magic" go over the edge in this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos. In a TV interview, Penn mentions his idea of a fun practical joke: "I wish someone were trying to kill me. It would give focus to my life, excitement. I'd be like James Bond." Twenty million people hear him. One decides to deliver a punchline he'll never forget. Made by people who thought Psycho was a comedy, Penn & Teller Get Killed (they also wrote the piece) features Caitlin Clarke as the femme fatale and David Patrick Kelly as the Edgar Allan Poe-esque nutcase with a new mission. Arthur Penn, known for hip masterpieces like Bonnie and Clyde, Alice's Restaurant and Little Big Man, directs with roller-coaster pacing and subversive intelligence.

When a marriage of convenience becomes the real thing, Joe moves his pregnant French wife to a tenement building on New York's Lower East Side. The street is like a war zone with none of the nostalgic appeal that Joe remembers from tales of his immigrant grandparents arriving in the same neighborhood with a new life. This is the urban frontier filled with comic mixture of gentrifies, homeboys, dealers and local residents simply bent on staying a float

T, as most of his friends, lives in a self-constructed 'house', built on top of an old building in the city. Their one passion is 'combat'. Combat is a dance/streetfight during which the contestants try to push each other out of the arena, while not allowed to actually touch each other. When drugdealers move into the neighbourhood and kill T's best friend he embarks on a mission to eradicate the drug-presence in the neigbourhood. His friends are reluctant to help though, knowing what happened to T's friend when he crossed them.