Writing
When he discovers an infant girl on the site of his latest job, notorious hit man Govindram (Balraj Sahni) turns his back on his employers and lays down his guns for good, deciding to raise young Rajni as his own child. Years later, the idyllic life that Govindram has built for Rajni and himself is in danger of being destroyed when the secrets of his dark past threaten to boil to the surface.
Kalyani lives in a small tenement with three sons, Vijay, Nandu, and Bhola, all of whom are unemployed, slackers and trouble-makers. One day Nandu gets into serious trouble with Shantilal, who summons the police, and has him arrested. Kalyani goes to the Police Station to plead with the In-Charge Officer to release Nandu, to no avail. She then goes to Shantilal to try to persuade him to withdraw the charges, also to no avail.
Sunil Mehta is a businessman married to a pretty and loving wife, Geeta. Sunil's only problem is she is easily led to suspicion. One day while returning from office, Sunil is attracted by the sight of a wayside carnival and decides to try the Giant Wheel drive reminiscing his childhood days. Unfortunately, Sunil gets stuck in mid-air due to a mechanical problem in the Giant Wheel and is unable to return home till the next morning. Geeta suspects Sunil is seeing someone else and even though Sunil says the truth to Geeta, she doesn't believe it and so starts a hilarious and twisted tale that engulfs three happily married couples.
A social drama that delves into the troubles faced by a young woman named Kuki, played by Pramila. Her path crosses with Chandramohan, whose presence appears to complicate her life. The film explores themes of societal challenges and perhaps redemption, as it's described as a "social picture."
Biology professor and her students, including a convent nun go on a field trip, and stay at a Public Rooming House of a male group, led by retired colonel. But fate has other plans for them.
A poor Afghani leaves his family behind to earn a living as a dried fruit vendor in India. Profoundly homesick, he befriends a young girl who reminds him of his own daughter. Meanwhile, the locals are distrustful of all foreigners.
Sibling rivalry abounds in this film about two privileged brothers, Anwar and Nawab, and the women who come between them. Nawab, although a married man and father, engages in frequent secret rendezvous with his mistress, Benazir. Meanwhile, Anwar declares his love for a woman named Shahida, whom he desires to wed. So when Nawab witnesses Anwar in the arms of the lovely Benazir, he's outraged -- and puzzled -- by the brotherly betrayal.
