
Boris Vian
Writing
Biography
Boris Vian (10 March 1920 – 23 June 1959) was a French polymath: writer, poet, musician, singer, translator, critic, actor, inventor and engineer. He is best remembered today for his novels. Those published under the pseudonym Vernon Sullivan were bizarre parodies of criminal fiction, highly controversial at the time of their release. Vian's other fiction, published under his real name, featured a highly individual writing style with numerous made-up words, subtle wordplay and surrealistic plots. L'Écume des jours (Froth on the Daydream) is the best known of these works, and one of the few translated into English. Vian was also an important influence on the French jazz scene. He served as liaison for Hoagy Carmichael, Duke Ellington and Miles Davis in Paris, wrote for several French jazz-reviews (Le Jazz Hot, Paris Jazz) and published numerous articles dealing with jazz both in the United States and in France. His own music and songs enjoyed popularity during his lifetime, particularly the anti-war song "Le Déserteur" (The Deserter).
Known For

Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...
The Hunchback of Notre Dame

A woman suffers from an unusual illness caused by a flower growing in her lungs.
Mood Indigo

No description available.
En direct de...

Kotaro and Kuroe marry almost immediately in a Christian ceremony and move into an apartment. Life is completely joyous until, one day, Kuroe falls ill.
Chloe

Joe Grant, a light-skinned African American, heads to a small Southern town to investigate the lynching death of his brother. He draws the attention of a gorgeous heiress whom he learns may have been involved in the killing.
I Spit on Your Grave

Chick fell in love with Alise because of a shared passion for writer Jean-Sol Partre who gradually devoured their relationship. Soon after, Colin, the main character, also falls in love with a young girl, Chloe, but after their marriage she soon suffers from a strange illness: a water lily grows in her lungs.
Spray of the Days

Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there is one rule: never fall in love. But this time Valmont falls madly in love with a girl he meets at a ski resort, Marianne.
Dangerous Love Affairs

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.
A Girl in a Pocket

On the basis of the hardy perennial "boss-assistant" relation, "The Mortal Fortune" depicts the passion of worldly existence. The anonymous hero of the story, to which the spectator is introduced, attempts at freeing himself from his enslaved life. He finally has to realize the transience of the creature man and whithdraws from the constraints of worldly existence.
The Mortal Fortune

One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in "A pocket love" and "The Bel Age", Pierre Kast, in "Dangerous Liaisons 1960", Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in "Notre-Dame de Paris" by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible. An episode from the tv-mini-series "Collection rue des ravissantes: Boris Vian fait son cinéma."
Our Faust

"Vian Bubbles" - On June 23, 2009, fifty years to the day after the death of Boris Vian, a supernatural phenomenon crosses all of France: in the streets, one sings everywhere his songs and one expresses oneself only in the language of the poet. In Paris, Antoine de Caunes wakes up to discover the strange "vianic" epidemic, which also affects radio waves and the small screen. A boss of channel proposes to him to organize, for the same evening, a show dedicated to the songs of Boris Vian. Jean-Pierre Marielle tells us the story of this phenomenon, as supernatural as inexplicable. A tribute in songs to the glowing cast.
Bulles de Vian

No description available.
Saint-Tropez, devoirs de vacances

Variations on the cultural and intellectual explosion in the Saint-Germain-des-Prés district in 1946.
Disorder

As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.
Vadim Mister Cool

Serge Gainsbourg died on March 2, 1991, at the age of 62. If the general public has remained on his television appearances of the 80s, the fact remains that Gainsbourg had several careers before these last years. With Gainsbourg stripped of his masks, this is the theme of this self-portrait documentary: "In the end, I was left with the watermark of this shy and secretive child who implies candor, innocence, insubordination and savagery". Each sequence of this modest and passionate portrait reveals a secret, intimate, funny and touching Gainsbourg, at a good distance from Gainsbarre, his last public face.
Gainsbourg, toute une vie

This is the story of an obsession. Mona Lisa keeps smiling quizzically while our poor hero is pursued by her representation in all its forms, in all places. She smiles at him in a museum, at a bookseller along the banks of the Seine, in the streets, at a café. Enough to drive him up the wall!
La Joconde, histoire d'une obsession

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.
Hôtel La Louisiane

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.
Le Bel Âge

Based on the eponymous novel by Boris Vian. With the help of a time machine, a man explores his past, apparently with the aim of curing his present misfortune...
L'Herbe rouge

A couple runs over a cyclist with their car, but a hitchhiker appears before they can get rid of the lifeless body. They allow the hitchhiker to join them, not knowing what he saw. Doubts overtake them. Playing on the ambiguity of the situation, the hitchhiker will not let the couple come out of this intact.