Hyeon Eun-yeong
Acting
Biography
Hyeon Eun-yeong (현은영, born July 14, 1981) is a South Korean actress educated at Sookmyung Women's University, where she majored in English Language and Literature. She is 168 cm tall and weighs 55 kg. Her professional skills include acting in English, which she has incorporated into both screen and stage work. She has appeared in films such as Last Film (2021), screened at the Busan International Film Festival. Three Sisters (2021), and in America Town, a film shown at BIFF 2017. On television, she appeared in season 1 of Penthouse in 2020, and in 2015 she participated in the EBS documentary programme Atlas: Camping Paradise in the Southern Hemisphere. Besides, she maintains an active stage career as a member of the Sansuyu Theatre Company, performing in several productions.
Known For
A woman puts everything on the line to achieve her goal of being able to move into a luxury penthouse in the Gangnam District. In the process, she gradually finds herself turning into a monster.
The Penthouse
In their twenties, Lee Kyeong-do and Seo Ji-woo part ways after two passionate relationships. A decade later, they meet again as a reporter who covers an adultery scandal and the wife of the man at the center of that scandal. Reuniting in their late thirties, their youth has passed, but their love remains vivid. Kyeong-do now strives to prove to her and to himself that he still loves her.
Surely Tomorrow
The awkward, distant, and wounded three sisters gather at their hometown for their father's birthday. However, on the day of the party, there is a big mess because of their little brother Jin-seob's abnormal behavior, and the past of the three sisters slowly reveals.
Three Sisters
Set in the 1980s in Gunsan, a US military camptown, 15-year-old Sangguk falls in love with a prostitute and has his first sexual experience. He witnesses the wounds and struggles of sex workers in this US military camp town.
America Town
Park Sang-min, who teaches film at the University's Department of Film, is a film director who is under pressure of debt and trouble for the subject of the next film.