Riccardo Matonte

What do you say it's real and what's not? In a world where reality is shifted in ways we can't even imagine, young man finds out that what he used to believe about himself is about to be changed forever.

A boy from a working-class neighborhood, Manuel, weary of his life, tries to escape his circumstances and leave the drug-dealing ring of his area, but finds himself hunted by the crime boss who controls the local drug trade.

Eva and Vittoria are two girls from Genoa with very different personalities. Vittoria is a determined young woman, in her third year of architecture school, but she will soon realize that it is not her true path. Eva, on the other hand, has no clear idea of what she wants to do with her life. It won’t take long before Vittoria understands that life can be very different from an architectural project, while Eva finds a job and begins to find her place in society. From that day on, Eva and Vittoria were no longer so different.

Some studies suggest that after a person’s death, the brain continues its activity for another seven minutes, during which one can relive their entire life. But if it were possible to choose what to relive, as a final test, what would happen? Enea decides to relive his own death, to discover who killed him and why. But is this the right way to honor the time that has passed? Or does death, like life, offer no explanations?

Anita’s life begins to unravel when small, everyday incidents lead her to doubt both her husband and herself. Caught between suspicion and confusion, reality grows increasingly unstable, forcing her to confront something she can no longer control.

The experiences we live through in childhood leave an indelible mark on our lives. Sometimes small traumas, if unresolved, can turn into psychological blocks that shape our behavior. Life often surprises us by offering opportunities to confront these blocks. At times we fail to recognize them, but when we least expect it, we find ourselves the protagonists of one of these situations. On a Sunday like any other, the protagonist Alberto is offered such an opportunity.

The difficulty and uncertainty of addressing such a delicate topic as consent in a sexual situation between a man and a woman is at the heart of the short film. These challenges and uncertainties are faced by the two police officers as they confront the accounts of both young people and a video capturing the incident.

Sergio, unlike his wife Martina, does not want to enroll his daughter Giulia in ice skating. He only opens up to his skating friend Enrico, who tries to make him understand that everyone has the right to live their own life by pursuing their dreams. Sergio’s phone call to the former skater will change everything and convince him to enroll his daughter in ice skating.