Acting
A lovely summer day in Paris. Roger and Martine are on their way to work. "Work" is a euphemism because Martine is a prostitute in Pigalle. She is saving money to buy the house of her dreams in the country. Her husband Roger "works" for the same goal, but in a brothel for women. There, duchesses rub elbows with businesswomen, militant members of women's lib and other female pleasure-seekers.
To improve the morale of the German officers, a train with beautiful girls is arranged to entertain them when on leave.
The story opens with Celestine eluding arrest with a friend as the police raid a brothel. While hiding out in the hayloft of the Count de la Braquette's estate, she meets the hayseed handyman SĂ©bastien and the butler Malou, who reward her favors with the offer of employment. In a manner recalling Terence Stamp's effect on the household in TEOREMA, Celestine's open and relaxed attitude toward sexuality has a transformative effect on the isolated, moribund inhabitants of the mansion, imbuing them with gift of renewed life for the men and women alike, that remains even after a third act twist that forces her to betray them.
The SS puts a slutty nightclub singer in charge of a train car full of prostitutes whose "services" are reserved solely for Adolf Hitler.
A disturbed priest, who witness an occult ritual, thinks the people are possessed and start a private inquisition to exorcise the demons by torturing them to death.
On the coast of France, the police are raiding the streets and taverns at night in search of girls to send to the colonists in North America. A ship takes these girls to America, where they are placed in carts leaving for territories where colonists and soldiers are expecting them.
The hardcore XXX version of L'Ă©ventreur de Notre-Dame (1975) and The Sadist of Notre Dame (1979).
No description available.
