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On n'est pas couché was a French talk show broadcast on France 2 on Saturdays at 11 p.m., hosted by Laurent Ruquier assisted by various columnists.
Désiré is a fine servant and butler who regularly seduces the ladies of the house where he works, but then he moves on. This time he is working for Odette, the mistress of the minister of Posts and he is living a new situation. He has fallen in love with with Odette.
The life of the French actor Brigitte Bardot and model from 1949, when she first appeared on the cover of a magazine, to the birth of her son in 1960.
At the end of the 15th century and the beginning of the next, the great deeds of the "Knight without Fear and without Reproach", Bayard, faithful captain of kings Charles VIII, Louis XII and François I.
Revisits the two rounds of the 2007 French presidential election (April 22 and May 6, 2007), where Conservative leader Nicolas Sarkozy won a clear victory over his Socialist opponent, Ségolène Royal. Faced with the activist, the journalist, the political figure and the gigantic media device set up for the occasion, the audience is taken on board without real or comprehensive explanations. Strangely, the chaos seems organized. Just like when we are considering the range of 'unplanned' events that get media exposure, so much so that we wonder if they really are being planned. Is all this period of unrest visibly set in motion by social activists, agitators, ordinary people, politicians, publicity agents?
Vincent, a wealthy real estate agent, is invited to dinner by his sister Elizabeth and her husband Peter, both professors in Paris. Claude, a childhood friend and trombonist in a symphony orchestra, is also present. Vincent brings news from the prenatal examination of his and his wife Anna's unborn son. The name chosen by the soon-to-be parents strongly offends the others for many reasons. The dispute between the guests quickly escalates and before long the resurgence of old grudges and hidden secrets is unavoidable...
2 thirty year old friends in an empty apartment. One is a mediocre comedian, the other a failed playwright. The former sold his apartment and asked the latter to be present when the compromise was signed, to reassure the buyer. Because if he writes very bad plays, he still has a reassuring face. It’s its great quality. We're waiting for the buyer. Besides, buyer or pigeon?
Vatelin and his wife Lucienne love tender love. RĂ©dillon, a friend of the couple, has been courting Lucienne for years. Pontagnac, notorious womanizer and friend of the husband, has only been courting her for a few hours ... And Vatelin is enjoying this unusual situation. Everything spoils when Maggy returns, a very old English mistress of Vatelin who blackmails her by suicide if he refuses an appointment ... Lucienne has always sworn that she would take a lover as soon as proved her husband's infidelity. Who will be elected, who will be the turkey?
Sebastien Nicolas is a reclusive realtor leading a double life – in his spare time he creates complex disguises based on acquaintances. Combined with minutely studied and rehearsed impersonations, Sebastien can disappear completely into other people's lives. Things spiral out of control after he impersonates the wrong man.
Doctor Moulineaux, "serious and established" after a dissipated youth, lives a bourgeois life with his wife Yvonne and his servant Étienne. But he has gone to the Opera ball to win the heart of the elegant Suzanne Aubin. He arranges to meet her in a mezzanine that belonged to a seamstress. Impromptu visits from his acquaintances force him to pretend to be a tailor.
An old Parisian bistro with eternal charm. Eight gentlemen at the table, eight great figures. They were the “kings of Paris”… National treasures, masterpieces in peril. A well-honed ritual ... A sense of humor and self-deprecation intact. Tenderness and cruelty. Eight old friends who hate and love each other. And suddenly an intruder ...
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
Rose, 78-year-old, has just lost her beloved husband. When her grief gives way to a powerful impulse to live her life, making her realize that she can still redefine herself as a woman, the whole balance of the family is upset.
