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Spencer Parsons

Spencer Parsons

Directing

Biography

Spencer Parsons is an American film director, writer and actor. He holds a BA in English from Kenyon College, Gambier, Ohio, and an MFA in Film Production from the University of Texas, Austin, USA.

Known For

Easy
6.0

This eclectic, star-studded anthology follows diverse Chicagoans fumbling through the modern maze of love, sex, technology and culture. First dates, friends with benefits, couples with kids. Whatever your relationship status is, it's always complicated.

Easy

2016
Princess Cyd
6.6

High school athlete Cyd Loughlin lives alone with her depressive father in South Carolina, perpetually longing to get away from it all. When her aunt, famous novelist Miranda Ruth, agrees to host her for a few weeks during the summer, Cyd jumps at the opportunity. While there, she falls for a girl in the neighborhood, even as she and her aunt gently challenge each other in the realms of sex and spirit.

Princess Cyd

2017
Anything That Moves
6.0

Divine sex worker, Liam, bikes through Chicago delivering snacks and pure satisfaction to his love-hungry clients, while a serial killer begins targeting his clients that leaves a trail of blood to his innocent lover's own bed.

Anything That Moves

2025
Saturday Morning Massacre
4.4

A dark and bloody parody about a Scooby-Doo-like team of paranormal investigators and their devoted dog.

Saturday Morning Massacre

2012
I'll Come Running
5.9

A young Danish man traveling through Texas hooks up with an Austin girl, and even though they're not planning to see each other again, tragic circumstances lead her to his doorstep in Denmark.

I'll Come Running

2008
All Jacked Up and Full of Worms
4.4

A maintenance man for a seedy motel embarks on a path of self-destruction through the alleyways of Chicago after he discovers a hidden stash of powerful hallucinogenic worms.

All Jacked Up and Full of Worms

2022
University, Inc.
8.0

The closing of a student film program serves as a paradigm for interrogating the corporate ideology that guides the largest public university in the USA: the University of Texas at Austin.

University, Inc.

1999
Who's a Good Boy?
4.0

A creepy park urinator is kidnapped by his victims and becomes their pet dog.

Who's a Good Boy?

2019
Blackmail Boys
4.2

After moving to Chicago for art school, Sam begins turning tricks to help pay the bills. His longtime, long-distance boyfriend Aaron can't stand to be apart and finally joins him, determined to find enough work so that Sam can give up having sex for money. When the two decide to tie the knot and move to a state where they can marry, their financial worries intensify...until Aaron spies on Sam with a prominent client, and everything changes. This sweet and sexually explicit love story becomes an exhilarating extortion tale. contains graphic sexuality

Blackmail Boys

2010
No image
N/A

A kid's identity crisis and lifelong sinus problems are transformed by his relationship with a disabled boy.

Green Summer

2020
Caitlin Plays Herself
3.9

Caitlin, a young Chicago performance artist, struggles to create work that is both personal and political. A piece she performs about the BP oil spill sends her relationship into a tailspin because her onstage nudity bothers her boyfriend.

Caitlin Plays Herself

2011
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5.0

That thing where you had such a great time last night that you can't remember the murder. Inspired by actual events.

Bite Radius

2016
Chainsaw Found Jesus
N/A

A melancholy comedy about two fathers, two sons, and the cocaine sale that brings them all together for an everyday adventure about the moment before making a change, and maybe worrying that change just means trading up one sorry addiction for another.

Chainsaw Found Jesus

2010
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N/A

Filmmakers Joe Swanberg and Spencer Parsons discuss the Midwestern roots and work ethic of Lewis' output and how The Gore Gore Girls represents the shift into transgressive '70s cinema that would dominate the American horror landscape.

Regional Bloodshed

2016
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N/A

The products of the human brain appear as autonomous figures endowed with a life of their own, which enter into relations, both with each other and with the human race. So it is in the world of commodities with the products of men's hands. I call this the fetishism which attaches itself to the products of labour as soon as they are produced as commodities. It is nothing but the definite social relation, between men, themselves, which assumes here, for them, the fantastic form of a relation between goldfish crackers, haunted furniture, and poop.

A Partial Theory of Commodity Fetishism in 3 Scenes (+ epilogue)