Hugo Flink

The quarrel between the waltz king Joseph Lanner and his still unknown violinist Johann Strauss. It comes to a break. Strauss is engaged in London and has his first successes there. Thanks to the initially unfortunate intervention of Lanner's daughter, a reconciliation is finally achieved.

In 18th century Europe, King Friedrich II of Prussia leads his army through the seven-years-war with neighboring states, and after numerous near defeats, eventually brings a victorious army back to Berlin.

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

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Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

Vera Meiners' life was sweet but unfortunately for her, it was not to last. Her husband, Jan, left her after she met a former lover in a harmless friendly meeting. Forced to resume her disrupted medical career, she worked in a Swiss clinic but, without the knowledge of the chief surgeon, Vera ordered a risky operation to be performed and was thereafter fired. Penniless, she then works in Spanish nightclubs in order to provide for herself and her child. After many years, she runs into her friend Frank again in one of these nightclubs...

A little girl falls into the hands of a hypnotist the morning after the assassination of a jeweler. A visitor of the uncomfortable host confesses himself as the perpetrator, the girl can testify and delivers the two villains of the police.

A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.

Nora, the wife of the architect Heinz Ottendorf, feels neglected by her husband. He is getting more and more engrossed in his work, but Nora, apparently a stranger to hard work, suspects that the real reason for her husband's diverted attention must naturally be another woman. Robert, the cousin of Nora's friend Marianne, has long been in love with Nora and sees an opportunity to win her hand. Heinz, for all his distractions in his work and the phantom lover he doesn't have, isn't quite ready to let Nora go. While he may be married to his work, his work is a fickle mistress: he makes a career error and this leads to near financial ruin. He begs Nora to be patient with him. Marianne, who for her part is in love with Heinz, spins a web of deceit and intrigue, which leads to Robert taking a potshot at Heinz and then eventually causing Robert to kill himself.

If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.

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France in the first half of the 17th century, at the time of the Duke and all-powerful Cardinal Richelieu. The courtesan Marion Delorme falls in love with the nobleman Didier de Lassigny, although she is still with another nobleman at the time, the Marquis de Saverny. Marion then leaves the Marquis. This leads to a duel between the two aristocratic gentlemen, although duels were strictly forbidden in these circles by Richelieu. When this becomes known, Didier is put in chains and sentenced to death. Marion sacrifices herself for the sake of her new love, but the sacrifice is in vain. Didier, who refused to flee, is finally beheaded by order of the "red executioner" Richelieu.

The film was an epic portrayal of the life of Catherine the Great of Russia.

An international gang of thieves and swindlers decide to move their criminal operation to the Teutonic city of Cologne, but Tom Wilkens, one of the best agents of the international police, is not far behind and leads an investigation to unmask the criminals.

Produced by the Nazis in honor of the 150th anniversary of Mozart's death: a celebration of his music, as the film shows him traveling to Prague for the Don Giovanni premiere and inspired by his wife to compose the finale.

In Vienna, during the 1848 Revolution, opera singer Antonia Corvelli marries Detlev von Blossin, a rich landowner. But, as she refuses to give up her career, her infuriated husband returns to Pomerania without her. After falling into the clutches of the cruel and wicked count Stefan Oginski, whose lover she unfortunately becomes, Antonia has no other choice but to pass for dead in order to escape him. She then returns to Italy where she joins small theater companies under various aliases. Until one day she is overtaken by her fate...

First adaptation of Hans Fallada's novel of the same name.

a silent movie by Robert Wiene

A painter with syphilis infects his brother's wife and the child born of their affair.

A rogue husband is saved by marriage.