Writing
Thursday Theatre is a British television anthology programme produced by and aired on the BBC from 1964–1965. The productions ranged in duration from 75 to 95 minutes. Out of the 23 episodes, 13 are believed lost, and one is incomplete.
The Secret Kingdom is a British television series which originally aired on BBC in eight episodes between 6 May and 24 June 1960. It is an adaptation of the 1938 novel of the same title by Walter Greenwood. The plot revolves around Paula Byron, from a working class family in Salford.
Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.
A sergeant returns from war to his contemptible fiancée, intending to reconcile with her against all odds. But he falls in love with a charming new lodger instead.
In 1854, Australian gold rush miners struggle for their rights against an oppressive government.
The workers in a small plough factory take over the firm, but when a large order falls through, the old management come back to help out.
A simple handyman, who also is an amateur artist, gets into trouble when the head and shoulders portraits of some prominent local females are sold without his knowledge to an advertising agency and are published with nude bodies added to them.
George Shuttleworth is convinced that he has the talent to win the Isle of Man TT races, despite what his neighbours back home in Wigan may think. During the trials, the brakes go on George's bike, 'The Shuttleworth Snap', which he made himself. As a result, he breaks the TT lap record, becoming an instant motor-cycling star. As the big race approaches, George soon realises that other jealous riders will stop at nothing to make sure he does not take part in the race. An early George Formby film and probably his best.
Urban utopia beckons in this idealistic vision of postwar Manchester - fascinating to revisit as Northern Powerhouses and city devolution return to the agenda. Sponsored by the city council, it's very ambitious for a local government film. Under the soaring, sweeping direction of Paul Rotha, it takes in themes of industry, energy, leisure and housing, present, past and future.
