Graciela Borges

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Selva is an eccentric relationship counselor who has made a name for herself with her unorthodox sessions. But Selva’s career hits a roadblock when she takes on Elías and Malena, a young couple who are seeking guidance on how to separate.

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No description available.

Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.

The inhabitants of Las Caldas, a village in Asturias, in northern Spain, whose life revolves around a sumptuous spa, trace complicated personal relationships while the whole country is inexorably heading towards revolution and civil war.

Lila, after her father's death, discovers she has the ability to communicate with him from beyond the grave. As she explores this supernatural connection, she faces emotional challenges and family secrets that will test her faith in what she thought was possible.

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.

The head of a criminal gang has all the power among his men until one decides to testify against him.

Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.

Henchmen of the dictator from a South American country blackmail Nick Thomas into being a government spy. The former smuggler is to pose as a priest and enter a monastery thought to be sympathetic with rebel guerrillas. The release of the film coincided with real-life events, as Catholic priests continued to be the victims of government persecution throughout Latin America.

A young painter from La Boca discovers that his father is a millionaire. He goes to live with him, changes his life and comes back to the neighborhood.

Graciela and Arturo operate a kindergarten in their mansion. Graciela is particularly keen on one boy, Luciano, on whom she makes sexual advances.

This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.

A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.

The godmother and Perla are the world to "the little girl," a world defined by the four walls of a studio apartment with one window looking nowhere. Only space and alter the monotony, the blood transfusion sessions to which must be submitted Pearl and almost anonymous sexual encounters of the baby.

Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams... and her family.

A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography

The film shows as a documentary the trip to London of Palito Ortega and Graciela Borges