Acting
A deranged woman artist falls in love with a young sculptor. The impossible love ends tragically.
In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.
During a spectacular break-in at the villa of film star Marion Milner, the jewel thieves fortunately only manage to get their hands on imitations of the valuable jewelry. The police suspect the notorious master thief Silver-Jim, whom they have long been after. The commotion surrounding the break-in comes in quite handy for film producer Otto Pitt, who is currently shooting a crime film, as he hopes it will generate some free publicity for his project.
Lothar von Pütz and Roswitha von Krakow fall in love and only then discover that their fathers are bitter enemies. When Lothar's father dies, a close friend of his father's, Baron Maximilian von Hanckel, takes the boy under his wing and tries to make peace between the families. He visits Roswitha's father, who begins to hope that he can marry his daughter to the older, but wealthy, baron, who is still a bachelor. When an argument breaks out between Lothar and Roswitha, she agrees to marry Maximilian. It is only at the pre-wedding party that Roswitha and Lothar have a real conversation. Maximilian overhears everything, releases Roswitha from her vows, and brings the two young people together.
A pretty girl helps a popular Berlin policeman solve the murders of a woman he knew and the crooked banker the victim worked for.
Monika (German: Eine Mutter kämpft um ihr Kind, lit. 'A Mother Fights for Her Child') is a 1938 German melodrama film directed and written by Heinz Helbig. The story centers on a singer who relinquishes her illegitimate daughter to a German engineer in São Paulo to pursue her career, only to return eight years later as a celebrated film star and wife of a prominent surgeon, demanding custody after encountering the child on a film set.
Young Jan Bergwall visits his grandmother, the so-called centenary, at Woyland Castle. There he meets his cousin Andrea, who everyone calls "Fundvogel". Jan is fascinated by the young girl's beauty, and soon there is an erotic tension in the air between the two. Although they both have strong feelings for each other, they are afraid to make a commitment, even though their domineering grandmother is determined that they marry. Panicked that he might feel obliged to marry Andrea, Jan escapes from this place. Andrea is deeply disappointed and seeks revenge. Out of spite, she becomes involved with the falconer Bartel and is later raped in a wooden hut. The centigress, concerned about morals and customs, then sends Fundvogel to a convent. She escapes from there and flees into the arms of Jan. When he learns from a letter from the countess what has happened to Andrea, he leaves her a second time. In her despair, Fundvogel then throws herself off a bridge into the floods with suicidal intent.
The famous actress Paula Corvey loves the young racer Werner Bruck. One day, Paula's 18-year old daughter returns unexpectedly to her mother. She was living with her father, Paula's ex-husband, but she's run off to Paula, because daddy wouldn't let her become a hot-to-trot actress like mama. Paula just doesn't know what to do. That she's the mother of a grown up girl is something she desperately wants to hide from Werner (no, honey, I swear: you don't look a day over 17 ... uh huh). So, to cover her little horny tracks, she tells Werner that Eva is her cousin. The plan backfires (ha ha!), when Werner falls for the "cousin". When Werner finally discovers the truth, a conflict develops (duhh!), which can only be solved by Paula finding a man her own age (thank you).
A woman steals money from her banker husband but her lover, a baron, is jailed.He escapes and under a new identity is a circus daredevil but she threatens him and his new sweetheart.
Remake of the silent film of 1921: The lord of a castle disappears after the return of two feuding brothers from a noble family. Suspicion falls on the recently returned brothers.
In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.
This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.
A retired rail official and his wife Amalie purchase a disused railroad wagon to convert it into a villa in the countryside. One day, Amalie discovers 25,000 Marks hidden behind a picture in the rail car. The money was put there by a Dutch couple, who tried to smuggle the money across the border during the train’s last journey. Sorely tempted to keep the money, Amalie turns it over to the authorities. The smugglers, who finally find the rail car after a long search, will be turned over to the cops, too.
Olga, a woman of the demimonde, is shot in her apartment. The bullet was deflected by something, otherwise it would have killed Olga. Witnesses heard a noise at 2 p.m. that sounded like a gunshot. Detective Heidenreich investigates and discovers that the perpetrator must have been one of the tenants in the building. He realizes that many people are suspects.
The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.
The athletic young widow Antoinette Peterson gets into financial troubles when a business venture backfires and has to sell her car and her villa. On the road, she meets a stranger whose car she is able to repair and whom she later meets again as the buyer of her house. It is no one else than the venturer William P. Harrison to whom she lost her whole fortune in the first place. He offers her a bet: If she manages to stay for three months as his chauffeur and behaves accordingly, he would give her back her fortune. Although Harrison makes it as hard as possible for her, she keeps up. But they have already fallen in love with each other.
Out of unlikely circumstances an underground ticket vending girl and a mail pilot fall in love.
Paulus van Geldern is a lawyer who has made a name for himself as a criminal defense attorney, but is notoriously short of funds due to his unbridled passion for gambling. His gambling causes problems with his marriage to Martha who is thriving.
a movie by Heinz Paul
No description available.
