Walter Steinbeck

In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.

Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of an opera violinist. Baron Eggerdorff however soon hears of his past misfortune...

The double standards of a social class, which pontificates with big words what is proper and improper in the world of morality, while in its heart thinks very differently and acts accordingly.

Remake of the silent film of 1921: The lord of a castle disappears after the return of two feuding brothers from a noble family. Suspicion falls on the recently returned brothers.

The adventures of smart soldier Gustav Diestelbeck include managing his superior officer, competing for the canteneer's daughter, evading punishment for discipline faults and hosting Prinz Willibald during his visit to the regiment.

This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.

A taxi driver, (Piel), finds an odd contraption on the back seat that renders him invisible, but his friend steals the device to rob a bank. An inventive comedy.

A man swallows a diamond - and suddenly all people around him change their attitude towards him.

Weimar era screwball comedy about a floor model who is required to go out evenings to escort VIPs while her boyfriend has to wait at home.

In a made-up country somewhere in northern Europe: In the armaments factory F.N.G., an important drawing is copied and passed on to the enemy. Suspicion falls on the chief engineer Alexander Nica and his assistant Laurenz. Both are placed before the court; accused by the night watchman Bruns; and sentenced to death for industrial espionage. Before sentencing, however, Nica succeeds in getting away. Now he’s trying to find proof to convince the court of his and Laurenz’ innocence.

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

During WWI a German agent receives an order to find out when the Russian army will carry out its expected attack against the German lines.

Lothar von Pütz and Roswitha von Krakow fall in love and only then discover that their fathers are bitter enemies. When Lothar's father dies, a close friend of his father's, Baron Maximilian von Hanckel, takes the boy under his wing and tries to make peace between the families. He visits Roswitha's father, who begins to hope that he can marry his daughter to the older, but wealthy, baron, who is still a bachelor. When an argument breaks out between Lothar and Roswitha, she agrees to marry Maximilian. It is only at the pre-wedding party that Roswitha and Lothar have a real conversation. Maximilian overhears everything, releases Roswitha from her vows, and brings the two young people together.

The marriage of the celebrated operetta diva Vilma and the chamber singer Peter has come to an end. Peter, however, is intent on winning back his now ex-wife. So he’s come up with the idea of a guest performance in Venice, where the two will both appear. Vilma, however, has already found a new man – Niki. He’s a salesman and she wants to marry him. With the help of Annemarie, a friend, who has won a trip to Venice, Peter succeeds in diverting Niki, for he falls in love with Annemarie. Now the way is free for Peter to win back the ex-wife, who couldn’t care if he lived in a hole six feet underground.

The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…

The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.

The famous actress Paula Corvey loves the young racer Werner Bruck. One day, Paula's 18-year old daughter returns unexpectedly to her mother. She was living with her father, Paula's ex-husband, but she's run off to Paula, because daddy wouldn't let her become a hot-to-trot actress like mama. Paula just doesn't know what to do. That she's the mother of a grown up girl is something she desperately wants to hide from Werner (no, honey, I swear: you don't look a day over 17 ... uh huh). So, to cover her little horny tracks, she tells Werner that Eva is her cousin. The plan backfires (ha ha!), when Werner falls for the "cousin". When Werner finally discovers the truth, a conflict develops (duhh!), which can only be solved by Paula finding a man her own age (thank you).

No description available.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

a movie by Heinz Paul